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GREENWICH PARK

With constantly growing levels of menace, this tension-filled novel will keep you guessing through its final revelations.

What appears to be a budding friendship between two moms-to-be brings more than its fair share of unpleasant surprises in this debut psychological thriller.

Helen Thorpe has just relinquished her job in advertising to begin maternity leave and prenatal classes. All seems well in her world, snugly cocooned as she is in a bucolic London neighborhood, though she's grappling with an energy-draining summer heat wave, the exhaustion of ongoing house renovations, and pesky calls from a refinancing company. Also, there is the fact that her husband, Daniel—who runs an architecture firm with her brother, Rory—is frequently too immersed in work to accompany her to the prenatal clinic. So when Rachel, a single mother, pops up in prenatal class, Helen welcomes her companionship despite Rachel’s sometimes-shocking, often invasive behavior. Multiple narrators—including Helen; Rory's wife, Serena; and Helen's friend Katie, a journalist currently covering a case of sexual assault—drive this suspenseful thriller, and when Rachel turns up on Helen and Daniel’s doorstop, inserting herself even further into their lives, things take a decidedly threatening turn. As the story progresses, secret notes, a lost laptop, and old newspaper clippings make it quite clear that something nefarious is afoot. Helen’s rising sense of unease is effectively contrasted with her much gentler memories of university days from a decade earlier, when she, Daniel, Serena, and Rory reveled in the glory of their time together.

With constantly growing levels of menace, this tension-filled novel will keep you guessing through its final revelations.

Pub Date: Jan. 4, 2022

ISBN: 978-1-982150-31-0

Page Count: 384

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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THE CRASH

Soapy, suspenseful fun.

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A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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