The slightly sordid melodrama and para-psychological philosophizing lean uncomfortably against a sappy romance.
Howe (The Physick Book of Deliverance Dane, 2009) sets her second novel among early-20th-century Bostonians fascinated by the power of both spiritualism and the new science of psychology.
Twenty-seven-year-old spinster Sibyl Allston lives a quiet life with her father Lan, a successful businessman who talks little about his youth as a sailor in the Far East. In 1915 both are still mourning the deaths of Sibyl’s mother, Helen, and younger sister Eulah, who drowned on the Titanic three years before. Except for her regular visits to the medium, Mrs. Dee, in hopes of making contact with her mother and sister, Sibyl is a retiring, conventional young woman. Then her younger brother Harlan is thrown out of Harvard, ends up in the hospital after a fight he will not discuss, and moves back into the family home along with a young woman named Dovie, whose background remains as murky as her relationship to Harlan. Dovie introduces Sibyl to a potentially dangerous habit in Boston’s Chinatown, but at the same time Sibyl’s former beau re-enters her life. Benton is now a psychology professor at Harvard who tries to help Sibyl by exposing Mrs. Dee as a fraud. But as the country drifts toward World War I, Sibyl begins to realize she may possess an unexpected gift as a seer, one that she unknowingly inherited from her father along with a taste for opium. Is knowing the future a gift or a curse, or does it depend on the angle through which it is viewed? Ultimately Sibyl learns that even within a world ruled by fate, choices can be made.
The slightly sordid melodrama and para-psychological philosophizing lean uncomfortably against a sappy romance.Pub Date: April 10, 2012
ISBN: 978-1-4013-4091-9
Page Count: 432
Publisher: Voice/Hyperion
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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