A bright, bold picture book about a world of sweets.
The Sugar Plum Tree stands at the heart of a magical garden—a wonderland for children with good imaginations—in this debut children’s tale.
This picture book is the work of three sisters, working together under the pen name Katherine James. According to the authors, they based it on a bedtime story they were told many times throughout their childhood, in which they traveled to a world made of candy in their dreams. The next morning, they would wake to find that some candy returned with them, in the form of goody bags that they’d find under their beds. Clearly, this book is intended as a bedtime story, as it begins with the phrase, “Come little child cuddle closer to me / as you lay your sleepy head down,” and later adds, “Now sleep little child, dream all through the night to make your wishes come true.” The Garden of Shut-Eye Town, where the Sugar Plum Tree resides, is a candy-loving child’s fantasy, full of chocolates, lollipops, “fizzy pops and zippity-zaps.” The tree itself bursts with as much candy as a child could want. It’s too high to climb, but luckily, a chocolate cat and gingerbread dog are there to help children out. In order to accurately mirror the authors’ childhood tradition, the book closes with a promise of more candy to come: “And when you awake, tradition has said magically there will be / candy treasures beneath your bed, for those who believe... / in the Sugar Plum Tree.” The verse is paired with bold, colorful illustrations. Here, the focus is on the candy, and the bright, cartoonish images make it hard to miss; children, as well as the aforementioned cat and dog, appear largely at the periphery. Although the overall story might be too saccharine for some readers, the bright colors and verse effectively depict the magical land. However, the book does make a promise that parents might be expected to keep when the story is done.
A bright, bold picture book about a world of sweets.Pub Date: Oct. 28, 2013
ISBN: 978-0-6515-85004-7
Page Count: 32
Publisher: LilyLu & TT2 Publishing
Review Posted Online: March 2, 2014
Review Program: Kirkus Indie
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
With the same delightfully irreverent spirit that he brought to his retelling of "Little Red Riding Hood" (1987), Marshall enlivens another favorite. Although completely retold with his usual pungent wit and contemporary touches ("I don't mind if I do," says Goldilocks, as she tries out porridge, chair, and bed), Marshall retains the stories well-loved pattern, including Goldilocks escaping through the window (whereupon Baby Bear inquires, "Who was that little girl?"). The illustrations are fraught with delicious humor and detail: books that are stacked everywhere around the rather cluttered house, including some used in lieu of a missing leg for Papa Bear's chair; comically exaggerated beds—much too high at the head and the foot; and Baby Bear's wonderfully messy room, which certainly brings the story into the 20th century. Like its predecessor, perfect for several uses, from picture-book hour to beginning reading.
Pub Date: Sept. 1, 1988
ISBN: 0140563660
Page Count: 36
Publisher: Dial Books
Review Posted Online: Oct. 26, 2011
Kirkus Reviews Issue: Aug. 15, 1988
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