by Katherine Wiltenburg Todrys ‧ RELEASE DATE: June 1, 2021
An important work of environmental and legal reportage on a contest that will likely continue for years.
Searching account of Native resistance to the oil pipeline that has steadily invaded their homelands.
Dakota Access, a company specializing in transporting oil from the vast Bakken fields of North Dakota and points beyond, had long had its way in securing easements for its pipeline across multiple states. Then, writes human rights lawyer Todrys, they ran into the Standing Rock Sioux, “who would not be bought off.” Indeed, the leadership of Standing Rock had allowed an escrow account meant to compensate the tribe for the loss of the Black Hills to reach $2 billion and go untouched: “The Sioux don’t want the money; they want the Black Hills.” Todrys examines the paths by which Native “water protectors,” many of them teenagers, and non-Native allies came together to resist Dakota Access’ legal onslaught. Not all of the Native people in the pipeline’s path joined in that resistance: She portrays one politician who made a fortune with an energy subcontracting firm of his own, which secured jobs for “oil companies that ostensibly operated under his tribe’s regulation” but pretty much did what they pleased. Those companies scored an early victory with the Trump administration. As it greenlighted the abrogation of tribal sovereign rights, it also relaxed environmental regulations and cheered the arrests of some 600 water protectors. Many Republican-led states, meanwhile, promulgated bills “aimed at restricting the right to peaceful assembly” so that similar protests could not be mounted again. Yet, as Todrys writes in this wide-ranging account, the legal wheels turn slowly. In March 2020, a federal judge demanded that the Army Corps of Engineers conduct the complete environmental review that Trump officials had dispensed with—a review that is ongoing under a new administration and that may close the pipeline, which has since leaked nearly 600,000 gallons of crude oil across the Dakotas.
An important work of environmental and legal reportage on a contest that will likely continue for years.Pub Date: June 1, 2021
ISBN: 978-1-4962-2266-4
Page Count: 352
Publisher: Bison/Univ. of Nebraska
Review Posted Online: April 27, 2021
Kirkus Reviews Issue: May 15, 2021
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by Eli Sharabi ‧ RELEASE DATE: Oct. 7, 2025
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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