by Kathleen Flanagan Rollins ‧ RELEASE DATE: Dec. 6, 2012
An exciting story set in an imaginative, capably rendered prehistoric world.
An epic of high drama, set 14,000 years ago against the days of spirits and strange happenings.
In this ancient fantasy, Rollins fashions a saga from the great migrations that drove people from Australia and eastern Asia to make their way across Polynesia, Melanesia and the great Pacific. Rollins portrays smoky, pungent images of village life: the fortuitous saving of a disfigured child marked for death, the importance of sacred stones and heavenly music, a time when royals voted critical decisions by a count of eggs. Shamans squeeze vital signs out of the ether, but they steer clear of self-importance. For example, one shaman doesn’t fudge his ignorance to save his ego: “Raidu came over and looked at the tray. ‘What do the omens say?’ Owl Man didn’t look up. ‘It’s difficult to say.’ ‘Perhaps a better shaman could read them.’ ‘Perhaps,’ Owl Man replied.” The world Rollins creates is fully alive—“all in one piece with no boundaries between items, somewhere between the world of people and the world of dreams”—though hardly benevolent; a great geologic cataclysm shatters the peoples’ lives and sends them on their eastward quest, into a sea Rollins makes achingly wide and deep. This work follows on the heels of Rollins’ previous work (Misfits and Heroes, 2010), and there’s much of the same sense of time’s passage, as characters grow into themselves and enough years pass for volcanoes to level islands and entire fleets of citizens to flee. Rollins is a writer with a touch for complexity and range, with plenty of meaty detail in her pages and a considerable stable of fleshed-out characters, but she keeps it all surely in hand. She also has a talent for bringing realism to a world where all things are possessed with some sense of spirit, and a pervasive magic guides one’s destiny as surely as willful decisions.
An exciting story set in an imaginative, capably rendered prehistoric world.Pub Date: Dec. 6, 2012
ISBN: 978-1479308262
Page Count: 410
Publisher: CreateSpace
Review Posted Online: Jan. 14, 2013
Review Program: Kirkus Indie
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by Bud Malby ‧ RELEASE DATE: Nov. 10, 2010
An impressively thoughtful expression of spirituality.
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Two men discover God on two different paths in Malby’s curiously titled first novel.
In some unspecified part of Middle America, two boys bond as toddlers in their rural hometown during an era in the 20th century when outhouses were the norm and child mortality rates were high. The boys grow apart and reconnect during manhood, finishing their long lives together. As youths, they become alienated by Windknocker, another name for God, which is further explained about halfway into the novel. Yet the titular Windknocker ultimately unites them and gives purpose to their lives. To cover the decades of their friendship, the narrative zips along like a skipped rock over water, pausing only to focus on key events in the characters’ lives. Often, these moments are what the two men look back to later in life as they attempt to resolve their differences regarding the meaning and practice of faith. Mew, the main character, takes the formal route through the Catholic priesthood during the tumult of Vatican II. His best friend, Leezie, lives in an informal street ministry as a laborer and soldier in World War II. As boys and men, they live on opposite sides of the tracks—literally at first, and figuratively later, with personalities as different as their origins, lifestyles and faith. Mew’s faith is intellectual (“religion wasn’t about experience but working toward perfection”); whereas Leezie’s faith is intuitive, particularly after he’s “borned again” during a revival meeting. Malby tells their story in memoir format through Mew’s voice, diverting occasionally into an omniscient observer—sometimes transitioning like an emcee—to cover episodes in Leezie’s life. The switches in point of view aren’t disruptive, although they give the narrative an uneven flow. Malby’s straightforward prose contains short, evocative descriptions—“I was sure her eyes sparkled even when she was asleep”—which will comfortably take readers into intimate discussions of faith that are thought-provoking independent of religious perspective.
An impressively thoughtful expression of spirituality.Pub Date: Nov. 10, 2010
ISBN: 978-1608622320
Page Count: 306
Publisher: E-Book Time, LLC
Review Posted Online: July 30, 2012
Review Program: Kirkus Indie
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by Stone Michaels ‧ RELEASE DATE: March 15, 2015
Sturdy, exuberant verse.
Like the demigod from which it takes its name, Defining Atlas is a durable, uplifting volume.
A strong current of self-affirmation, self-love, and self-confidence runs through this work, and readers will come away feeling their spirits improved. We feel some of this current in the clever “Limited”; Michaels takes the titular subject and turns it on its head: “I’m new, but I’m old / Not limited beyond my means and methods / But limited because I’m special / Special beyond the heavens and everything that surrounds me / That I’m among…limited.” Elsewhere in “From the ashes…I am,” he sings a hard-won song of renewal and rebirth: “I am victory in its rawest form / I am hope that never conform / I am the will, the drive, and the truth / I am like everyone, like you.” But Michaels does not hoard specialness or victory for himself; he wants it for his reader too, and in “Wake Up!” he urges us on toward a bright future: “There’s something good here for you / Your purpose can never be defined by just one blue / Your destiny awaits you.” Underpinning Michaels’ stirring message is a strong faith in God, whose presence infuses many of the poems here: “But I always thank God for the latter / For the strength and will it takes / Shines so bright / Shines so right.” Michaels often adopts a loose scheme of rhyming couplets, and this decision leads to one of the book’s few weaknesses. Too often, the poet picks awkward or odd pairings; e.g., “And if I could become a perfect saint / I would make believers out of the ones who say they ain’t” and the “you/blue” couplet mentioned above. But such missteps are infrequent, and they don’t dim the warm light that emanates from Michaels’ fine volume.
Sturdy, exuberant verse.Pub Date: March 15, 2015
ISBN: 978-1-5035-4785-8
Page Count: 106
Publisher: Xlibris
Review Posted Online: Aug. 21, 2015
Review Program: Kirkus Indie
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