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KATIE'S REALLY BAD DAY

A STORY ABOUT TEST ANXIETY

An important and well-illustrated consideration of a common problem among kids.

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Jeffrey offers a picture book about a girl struggling with debilitating test anxiety.

During recess with her second grade class, Katie is happy and worry-free. After returning to the classroom, though, her expression changes to one of terror. The blank sheet of paper on her desk signals a spelling test, and her anxiety about it makes her scribble on her desk after teacher Miss Julie calls out the first word. Now she also feels intense embarrassment because the whole class sees what she’s done. Katie’s teacher gently talks to her about what happened; at home, her parents also try to console her, but she remains distraught. The next day, Miss Julie demonstrates an exercise that can help her and other children manage their anxiety. Jeffrey valuably lists the physical symptoms that the anxious Katie is overcome by, which will help young readers understand her unusual response. The placement of the text within Kilmartin’s full-color, realistically illustrated scenes, however, isn’t seamless; larger blocks sometimes clutter up the visual landscape. Although Katie is the star of the story, the watercolor paintings make her classmates distinctive as well. The images also show the stark contrast between Katie’s gleeful abandon and her fraught consternation. Katie is portrayed with pale skin, and other characters are depicted with a range of skin tones.

An important and well-illustrated consideration of a common problem among kids.

Pub Date: April 30, 2024

ISBN: 9798218968427

Page Count: 32

Publisher: N/A

Review Posted Online: May 13, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE FUTURE BOOK

It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow.

The future is now…and it’s exceedingly silly.

“This book is from the future.” What are things like there? Barnett enlightens readers: “The sun is called the moon and the moon is called the sun.” Readers learn that apples no longer exist (Barnett doesn’t explain why), that lots of people are named “Charlie Cheese Face” (“There’s an interesting reason why, but we don’t have time for that story”), and that instead of “goodbye,” people now say, “You smell like a baby!” The work closes with a ridiculous conversation between two characters who somehow manage to work in most of the new terms. This tale’s raison d’être seems to be coming up with the goofiest alternatives to normal day-to-day terms and interactions. Barnett gets seriously silly as he thinks up gags ideal for reading aloud at storytime. As for Harris’ art, aside from the occasional cool pair of sunglasses or hair dye, the future feels pretty early-21st-century; his colorful ink and gouache illustrations are rife with visual gags. Futuristic terms look as if they were printed on a label maker. Human characters vary in skin tone.

It doesn’t take a fortune teller to predict the laughter that will emanate from this world of tomorrow. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9798217033171

Page Count: 40

Publisher: Knopf

Review Posted Online: Nov. 8, 2025

Kirkus Reviews Issue: Dec. 15, 2025

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