Lavish and extravagant, gossipy yet even-handed, maximizing a great story: likely to become the standard text on the...
A Hollywood biography more dramatic and enthralling than most of what its subjects produce.
Although they were the quintessential Hollywood power couple, Edie and Lew Wasserman never cared for publicity—and with good reason, as they came from different sides of the same crooked coin. Born in Cleveland in the early part of the 20th century, Edie to a wealthy German-American Jewish family and Lew (then Louis) to dirt-poor Russian-Jewish immigrants, they each had roots in organized crime. Edie’s father was an infamous fixer for the Cleveland Syndicate, while Lew booked nightclub acts into Mob-owned joints in Cleveland, then Chicago, for the nascent MCA talent agency. Boston Globe Hollywood correspondent Sharp (In Good Faith, 1995) begins her narrative in 1958, when the couple were already king and queen of Hollywood, judiciously ladling in the juicy background info later. By the late ’50s, Lew was not only running MCA, the mega-agency that locked up most of the Hollywood talent just as the studio system began to crumble, he had recently bought the land that cash-strapped Universal sat on, becoming the studio’s landlord and ultimately its owner for a mere $12 million. After that, the coups rat-a-tat, as Lew courts up-and-coming politicos JFK and Reagan, sidesteps a Justice Department antitrust investigation, maneuvers MCA’s (and then Universal’s) TV division into a profit powerhouse, introduces the modern blockbuster with Jaws, and so on, before passing away in 2002. Not surprisingly, Edie is often shoved to the background here, but Sharp ably depicts her conniving ways as the queen bee of Hollywood society, somebody who wasn’t afraid to use any means at her disposal to get ahead, just like her husband. The author is alternately enraptured and horrified by the Wassermans, as most anyone would be when confronted by such a staggering amount of guile, ambition, and cold-blooded genius.
Lavish and extravagant, gossipy yet even-handed, maximizing a great story: likely to become the standard text on the Wassermans.Pub Date: Dec. 1, 2003
ISBN: 0-7867-1220-1
Page Count: 400
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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