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FRUITING BODIES

Original, deftly told stories that chart coming-of-age in perilous times for our planet.

A debut collection that mingles the magical and uncanny with signs of global warning.

These coming-of-age stories about young women are sometimes set against a backdrop of climate change, sometimes in altered magical worlds. Because we live in an age in which rising temperatures and raging wildfires, significant loss of biodiversity, and monster storms worry the line between what used to seem impossible and our new reality, this mix of genres is potent. In “Endangered Animals,” the disappearing glaciers in Glacier National Park are both a destination for a young woman and her ex-girlfriend on a road trip together and the perfect metaphor for the painful thaw of their dying affection. In “Algal Bloom,” a lake poisoned by algae during an uncharacteristically hot summer is a temptation for the slightly rebellious almost 13-year-old narrator and her best friend while also capturing the murkiness of the narrator’s desires—the peril of feelings she’s not quite old enough to name. Elsewhere, in “Fruiting Bodies,” a woman sprouts mushrooms from her body, which her lover gently harvests and cooks into elaborate meals, an act both nurturing and parasitic—and almost possible in some dystopic future. Harlan crafts gorgeous prose; in her hands, even the dirty work of maggots, using “their hooked mouths to spoon up the body’s liquids,” becomes something beautiful. Her stories twist away from expected endings—as in “Hunting the Viper-King,” in which the narrator’s father’s hunt for a mythical snake both is and isn’t as crazy as it seems—and offer nuanced emotional insights. A few stories miss the mark when the magic fails to become emotionally resonant (“Is This You?”) or the characters feel thin, like ideas in service to inventive plots (“Fiddler, Fool Pair”).

Original, deftly told stories that chart coming-of-age in perilous times for our planet.

Pub Date: June 7, 2022

ISBN: 978-1-324-02122-3

Page Count: 256

Publisher: Norton

Review Posted Online: March 24, 2022

Kirkus Reviews Issue: April 15, 2022

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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