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I AM A BABY

Here’s a book to help babies one day say “I am a reader.” (Picture book. 6 mos.-3)

Rhyming text paired with cheery photos of racially diverse babies creates a warm invitation to reading for little ones and their caregivers.

The text is delivered in the first-person singular, but images of different babies from page to page avoid having a particular baby represent the eponymous “I.” For example, a black baby in pink is the first baby depicted in the book proper, and then the page turn reveals a fair-skinned toddler with long brown hair over text reading “this is my crib,” facing a page with an olive-skinned baby in gray and blue and text reading “this is my high chair, and this is my bib.” Ensuing pages show babies with various items and then family members. The introduction of a father with one baby, then a mother with another, followed by a baby with grandparents, risks excluding diverse family constellations, but several multiracial families are included, and there’s one later image that could be read as a baby with two moms (though the fact that this is the same baby as on the page with the singular text “this is my mother” makes this reading a little ambiguous). Throughout, most photos show babies looking directly at the camera, which enhances the engaging presentation for the youngest of readers.

Here’s a book to help babies one day say “I am a reader.” (Picture book. 6 mos.-3)

Pub Date: Nov. 1, 2016

ISBN: 978-0-8075-3622-3

Page Count: 24

Publisher: Whitman

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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LITTLE BLUE TRUCK'S VALENTINE

Little Blue Truck keeps on truckin’—but not without some backfires.

Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.

His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.

Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)

Pub Date: Dec. 8, 2020

ISBN: 978-0-358-27244-1

Page Count: 20

Publisher: HMH Books

Review Posted Online: Jan. 18, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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ANIMAL SHAPES

Innovative and thoroughly enjoyable.

You think you know shapes? Animals? Blend them together, and you might see them both a little differently!

What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?

Innovative and thoroughly enjoyable. (Board book. 2-4)

Pub Date: March 27, 2018

ISBN: 978-1-4998-0534-5

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: July 1, 2018

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