by Kathryn Smith ‧ RELEASE DATE: June 1, 2021
A jaunty, informative journey into the past.
Southern travels, with cocktails.
Smith combines travelogue and history in a brisk, breezy tour of sites throughout the South associated with Prohibition: museums (the Moonshine Museum, for one, and the Museum of the American Cocktail), hotels, distilleries, bars, speak-easies, and cemeteries. Each chapter features capsule biographies of colorful figures in the battle to ban alcohol, some long lost to history; points travelers to places of interest; and ends with recipes for cocktails with such enticing names as The Presbyterian (made with Palmetto whiskey), Mary Pickford (based on rum), The Kentucky Mule (bourbon, of course), and White Trash Lemonade (made with white lightning moonshine). In the South, prohibition began long before the 18th Amendment banned the sale and transport of alcohol in 1920. By the early 19th century, Smith discovered, America was “a nation of drunkards” who consumed great quantities of alcohol. “Beer and hard cider were safer alternatives than water, which might kill you,” and commercial distilleries proliferated. Here, Smith quotes Daniel Okrent’s Last Call: “by the 1820s, liquor was so plentiful and so freely available, it was less expensive than tea.” Drunkards, though, were a threat to their families, inspiring many women to hail reformers such as hatchet-wielding Carry Nation, who wreaked havoc among saloon patrons. Protecting the family was not the only impetus for prohibiting alcohol. Racism, too, was a motivation: “The stereotype of the drunken black man defiling white womanhood was a driving force behind the Southern temperance movement.” As much as many religious leaders supported prohibition, so did bootleggers such as Al Capone, who made fortunes supplying thirsty customers, evading punishment by bribing public officials and the police. One teetotaling South Carolina governor took the cue from bootleggers and put control of production and distribution of liquor in the hands of the state government, “reaping vast funds for the state treasury.” State liquor stores still exist, Smith found, as do dry counties throughout the South.
A jaunty, informative journey into the past.Pub Date: June 1, 2021
ISBN: 978-1-929647-58-3
Page Count: 224
Publisher: Evening Post Books
Review Posted Online: March 19, 2021
Kirkus Reviews Issue: April 1, 2021
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by Kathryn Smith ; illustrated by Seb Braun
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
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A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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