Invites universal participatory tickling—it’s hard to resist joining in.
A mouse wants to join the Tickle Squad but first must prove that its skills are up to snuff.
As two lab-coated rodents carefully look on (this is serious, scientific observation, after all), one tiny mouse tickles all kinds of creatures hoping to trigger a guffaw. Tickling a giraffe is easy; just run up and down those long legs. Tickling a bear requires a bit more caution, but it’s fun when they start to wriggle and giggle. Tickling an octopus, however, can be quite tricky, as the tickler-in-training wonders: “An octopus loves to be tickled for sure, / but which was the arm that I tickled before?” Written in jumpy verse with rhymes that sometimes carry over into the speech-bubble comments of the scientists, the rhythm itself is ticklish and fun. Comically large, round ears make the tiny mice easy to spot, and various bodily functions triggered by the tickling are sure to elicit giggles. Alas, some of the animals’ laughing expressions can be difficult to interpret: scrunched eyes and wide mouths with sharp teeth don’t always look very jolly.
Invites universal participatory tickling—it’s hard to resist joining in. (Picture book. 3-6)Pub Date: Sept. 1, 2017
ISBN: 978-1-5124-8126-6
Page Count: 32
Publisher: Andersen Press USA
Review Posted Online: June 20, 2017
Kirkus Reviews Issue: July 1, 2017
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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