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PARIS

A LOVE STORY

On a first-name basis with the political movers and shakers on a global stage, Marton has observed world politics in the...

Paris provides a backdrop for this absorbing memoir of love and painful loss, played out on the larger stage of world politics.

While walking the streets of Paris, former NPR and ABC News correspondent Marton (Enemies of the People: My Family's Journey to America, 2009, etc.) mourns her husband, Richard Holbrooke, who died suddenly in 2010. She writes about “experiencing the fluctuating rhythms of loss…grief crashing against a sudden zeal for life,” as she remembers the times she and Holbrooke visited their favorite city. She reminisces about her first trip there as a student, at the age of 18, and her return a decade later as a foreign correspondent heading ABC's Bonn news bureau. Conducting a passionate though tortured relationship with news anchor Peter Jennings, she would rendezvous with him in Paris between covering events in European hotspots. Despite suffering from a traumatic separation from her parents (during their imprisonment by the Hungarian government), a painful divorce from Jennings and Holbrooke’s death, the author writes of the moments when she is “filled with joy” at her good fortune in having been loved. The highlights of her story include her time in Bonn, during which she interviewed spies in Berlin, traveled to a Palestinian refugee camp, and covered political kidnappings by terrorists, and her later experience hosting notables during Holbrooke's stint as U.N. ambassador.

On a first-name basis with the political movers and shakers on a global stage, Marton has observed world politics in the making and makes space for readers on her catbird seat.

Pub Date: Aug. 14, 2012

ISBN: 978-1-4516-9154-2

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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