A brilliant history of the orange that, like citrus, defies classification.
Goh uncovers the history of empires inside a ubiquitous fruit.
“I follow the orange because it offers a model for a hybrid existence and I, too, seek my own meaning in the world,” writes Goh in her multifaceted narration of citrus. She follows the history of the orange in research that spans continents, centuries, and legends. We learn of the orange’s mythic origins in China, the many Silk Roads that brought citrus to Europe, and the shorelines that European colonizers planted with the scurvy-defying fruits. Goh demonstrates how the history of the orange is a history of colonialism, a history of exoticism, and one of convenience. We learn of the bubonic plague, when orange peels were dried and used to mask the smell of sickness. In the 2020 pandemic, the author bought bags of oranges with gloved hands and a masked visage, the fruit distant from its origins, made clinical under fluorescent lights. Artfully interwoven in the narrative is Goh’s own history and that of her family. In rural China, the author meets her relatives, though they speak a dialect unknown to her. In Malaysia, she visits her aging grandmother and discovers pomelo orchards in the wake of tin extraction. And she writes of Ireland, the place of her upbringing and her mother’s family, where oranges are shipped across land and water to meet the desires of citrus-hungry consumers. “Per person, oranges are the most consumed fruit in the world,” she writes, and in these pages the fruit is seen across many essential parts of human history. Oranges expand into metaphors—the way we discuss family trees, hybridity, and naturalization are deconstructed, and their citrine trail reckoned with. Goh’s quest for self-knowledge mirrors the journey of citrus itself. In smart, engrossing prose, Goh teaches us as much about the fruits as about ourselves.
A brilliant history of the orange that, like citrus, defies classification.Pub Date: May 6, 2025
ISBN: 9781963108231
Page Count: -
Publisher: Tin House
Review Posted Online: March 4, 2025
Kirkus Reviews Issue: April 1, 2025
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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