Mack's pleasing writing style makes speculating about the death of the universe unexpectedly entertaining.
A theoretical astrophysicist surveys five possible scenarios for the end of the universe, backed by the latest research in physics and cosmology.
Acknowledging the end of the universe is a grim proposition. But after accepting the fact that our universe cannot “persist unchanged, forever,” thinking through the science of end times is actually a thrill, an opportunity “to dig deep into the question of where it’s all going, what that all means, and what we can learn about the universe we live in by asking these questions.” Mack uses humor, metaphor, and personal experience to offset her often technical descriptions, creating a delightfully unsettling narrative that explains big ideas in modern physics and cosmology through the lens of end times. “Whether or not the world is falling apart from a political perspective,” she writes, “scientifically, we’re living in a golden age. In physics, recent discoveries and new technological and theoretical tools are allowing us to make leaps that were previously impossible…the scientific exploration of how the universe might end is just now undergoing its renaissance.” In accessible yet precise language, Mack details how these modern scientific approaches suggest five apocalyptic scenarios: the Big Crunch, Heat Death, the Big Rip, Vacuum Decay, and the Bounce. Each is creative in its demise, giving the author an excuse to expound on the latest theories about dark energy and the expanding universe, the Higgs boson, and the multiverse. She celebrates that the near future will be filled with knowledge and discovery, even if the far future is doomed. “Work on the cutting edge of physics is already pointing us toward a universe far stranger than we even could have imagined,” she writes. Drawing on the wisdom of a variety of pioneering physicists, the author delivers a sleek narrative of discovery.
Mack's pleasing writing style makes speculating about the death of the universe unexpectedly entertaining. (b/w illustrations)Pub Date: Aug. 11, 2020
ISBN: 978-1-9821-0354-5
Page Count: 240
Publisher: Scribner
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A thorough, occasionally unwieldy look inside the mind of a modernist titan; essential reading for Kafka scholars.
A fresh, unadulterated translation of Kafka’s notebooks, dense with introspection and writerly despair.
Until now, the diaries of the iconic Czech writer Franz Kafka (1883-1924) were only available in English via an edition edited by his literary executor, Max Brod, who famously denied Kafka’s deathbed request that his writings be destroyed. Though Brod salvaged Kafka’s writing, he also took a heavy hand to the diaries, suppressing homoerotic passages and overly streamlining Kafka’s prose in places. Benjamin’s new translation is based on an unexpurgated German critical edition published in 1990, and it provides a clearer glimpse into Kafka’s process. Starting in 1910, Kafka began writing observations about readings, plays, cabaret performances, and, occasionally, brothels in Prague, chronicling trips around Europe and drafting essays and stories, often reworking and expanding them repeatedly. He also discusses his publications, frustrations with his job and family, and various romantic courtships. But the attraction of Kafka’s diaries has always been his coruscating descriptions of his existential struggles as a writer and human being. He captures his frustration in ways that are wrenching, vivid, and highly quotable: “Some new insights into the creature of unhappiness that I am have consolingly dawned on me”; “the pleasure again in imagining a knife twisted in my heart”; “the story came out of me like a veritable birth covered with filth and slime.” In light of his labor to gain attention during his lifetime—true fame would only arrive after his death—such passages are especially piercing. Still, the new edition isn’t always user-friendly for casual readers, studded with hundreds of footnotes and asking readers to bounce back to an earlier notebook to read the conclusion of a story draft begun in a later one.
A thorough, occasionally unwieldy look inside the mind of a modernist titan; essential reading for Kafka scholars.Pub Date: Jan. 10, 2023
ISBN: 978-0-8052-4355-0
Page Count: 704
Publisher: Schocken
Review Posted Online: Oct. 10, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science...
Bryson (I'm a Stranger Here Myself, 1999, etc.), a man who knows how to track down an explanation and make it confess, asks the hard questions of science—e.g., how did things get to be the way they are?—and, when possible, provides answers.
As he once went about making English intelligible, Bryson now attempts the same with the great moments of science, both the ideas themselves and their genesis, to resounding success. Piqued by his own ignorance on these matters, he’s egged on even more so by the people who’ve figured out—or think they’ve figured out—such things as what is in the center of the Earth. So he goes exploring, in the library and in company with scientists at work today, to get a grip on a range of topics from subatomic particles to cosmology. The aim is to deliver reports on these subjects in terms anyone can understand, and for the most part, it works. The most difficult is the nonintuitive material—time as part of space, say, or proteins inventing themselves spontaneously, without direction—and the quantum leaps unusual minds have made: as J.B.S. Haldane once put it, “The universe is not only queerer than we suppose; it is queerer than we can suppose.” Mostly, though, Bryson renders clear the evolution of continental drift, atomic structure, singularity, the extinction of the dinosaur, and a mighty host of other subjects in self-contained chapters that can be taken at a bite, rather than read wholesale. He delivers the human-interest angle on the scientists, and he keeps the reader laughing and willing to forge ahead, even over their heads: the human body, for instance, harboring enough energy “to explode with the force of thirty very large hydrogen bombs, assuming you knew how to liberate it and really wished to make a point.”
Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science into perspective.Pub Date: May 6, 2003
ISBN: 0-7679-0817-1
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
