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GRUMPY NEW YEAR

A simpatico portrayal of holiday travel across time zones.

In this follow-up to Grandpa Grumps (2020), a Chinese family enjoys a traditional celebration.

There are 10 days until the new year when this picture book opens, and the countdown begins as Daisy travels to China to visit her grandfather, accompanied by Auntie. Daisy stays awake throughout the long flight while anticipating all the fun she and Yeh-Yeh (grandpa) will have together. When her bird kite fails to take off like Yeh-Yeh’s, however, and as jet lag sets in, Daisy becomes grumpy: Nothing—not the karaoke or painting or boat ride Yeh-Yeh arranged—feels as enjoyable as she had expected. Daisy’s struggle to process her emotions while hoping they will not affect Yeh-Yeh will resonate with anyone who has managed both their own and others’ disappointment. Eventually, Daisy succumbs to exhaustion and sleeps for well over a day, waking in time to help make zong zi (sticky rice treats wrapped in bamboo leaves). Only two days are left until the new year when Daisy’s spirits finally lift during an outing to the market, where she and Yeh-Yeh share a hearty laugh. Vivid spreads alternate between vignettes and close-ups of facial expressions registering surprise, frustration, and fatigue, while atmospheric full bleeds convey a child’s sense of wonder, festive fireworks, an extended-family gathering, and a bustling street parade. Cantonese and Mandarin phrases are featured; the backmatter includes two recipes. (This book was reviewed digitally.)

A simpatico portrayal of holiday travel across time zones. (author’s and illustrator’s notes) (Picture book. 4-7)

Pub Date: Dec. 13, 2022

ISBN: 978-1-4998-1282-4

Page Count: 40

Publisher: Little Bee Books

Review Posted Online: Aug. 30, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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SANTA'S FIRST CHRISTMAS

Cozier than a roaring fire and sweeter than milk and cookies, this earns its “Christmas classic” stripes with flying colors.

Even the man with the bag needs a little help getting into the Yuletide spirit.

Barnett returns with yet another Christmas title, following How Does Santa Go Down the Chimney? (2023), illustrated by Jon Klassen. Prepare for some potential confusion, since the titular “first Christmas” isn’t about the first time Santa started delivering gifts, but rather the first Christmas Day he’s celebrated himself. Usually after working hard on Christmas Eve, Santa sleeps in an extra half hour and then gets right back to work. The elves and a concerned polar bear decide to take matters into their own hands, so this year they surprise Santa with breakfast in bed on Christmas morning, then plunge into other activities: trimming a Christmas tree, stringing the North Pole up with lights, baking cookies, reading stories aloud, giving Santa presents, and enjoying a feast so decadent that it would make a reformed Grinch blush. Barnett narrates with a pitch-perfect mixture of droll amusement and holiday charm: Santa initially appears to be humoring his elves, only to really get into the spirit himself. Smith’s signature illustrations rely on bright colors and shapes. This seeming simplicity is belied by each scene’s unique lighting and reflections, imbuing everything with a singular warmth. Santa is pink-skinned and rosy-cheeked; the elves vary in skin tone.

Cozier than a roaring fire and sweeter than milk and cookies, this earns its “Christmas classic” stripes with flying colors. (Picture book. 4-6)

Pub Date: Oct. 22, 2024

ISBN: 9780593524978

Page Count: 40

Publisher: Viking

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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