An accessible and ultimately hopeful tale that explores one girl’s resonant response to trauma.
In Farber’s YA novel in verse, a teenage athlete struggles in the aftermath of a sexual assault.
Seventeen-year-old Indigo “Indie” Watson is a star soccer player at her school in Meadow Creek, Pennsylvania, and she’s also the emotional cornerstone of her family. At a Saturday night party, Indie drinks too much with her friend and crush, “Boy X”; the next morning, she doesn’t remember what happened, but she suspects that he raped her. She doesn’t go to school and takes refuge in bed, too ashamed even to confide in concerned friends and family members. She feels that telling them would be too much of a burden on them, as they already have troubles of their own. Her older brother, Dylan, for instance, nearly failed out of school, and her father has self-medicated with alcohol ever since the death of Indie’s beloved Gramps several years ago. Before long, the information spreads through the school. Later, Indie flees a soccer game, seeking refuge at Muddy Rivers Café and hiding there after closing; there, she converses with strangers, some more benign than others. The Harry Potter references throughout the story feel obtrusive and dated. However, the narrative does efficiently examine ingrained misogyny in society and how it feeds into rape culture. Indie’s narrative voice also rings true, as expressed in simple but evocative prose: “We look up, together. / The birds / in the tree above / sing of spring / and what is / to come. // And I believe them.” The narrative favors a clearcut message of female solidarity (“An invisible army of women stands with me”) and doesn’t address male or nonbinary rape survivors. Overall, though, this work offers a solid primer on the topic of sexual assault for a YA audience.
An accessible and ultimately hopeful tale that explores one girl’s resonant response to trauma.Pub Date: April 10, 2026
ISBN: 9781578692187
Page Count: 230
Publisher: Rootstock Publishing
Review Posted Online: Feb. 5, 2026
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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