Chronister effectively straddles fantasy and reality while exploring themes of stewardship and ties to the earth.
Change comes for five eccentric siblings whose lives have been dictated by their patriarch’s devotion to an ancient compact.
In West Virginia, on the edge of a cranberry bog, five siblings are reminded of the family history by their father, Charles. One of their ancestors was thrown into the bog, survived, and "from that day onward, the bog was in him. When he rose from those depths, a woman rose with him to be his wife. You are bound now, she told him in her language, to the care of this land. Your sons’ marriages will reseal the compact between us." Charlie, Eda, Wenna, Nora, and Percy Haddesley are now preparing for the ritual. They will drop their father’s body into the bog, then wait for Charlie’s new wife to appear. Their mother is missing from the scene, and her disappearance is a mystery that adds suspense to the story. The setting is unique, the language evocative, and the characters well-drawn—the arrogant (and maybe malevolent, or simply ignorant) patriarch, the daughter who fled, the one who leads, the youngest two who share their own world, and the purported heir who doesn’t pass muster. Charlie, the next patriarch, may be infertile, and the tree trunk that injured him is still lodged in the roof of the house, leaving it exposed to the elements. The family seems to be hanging by a thread. Wenna, the Haddesley daughter who returns from married life in Illinois, provides a potent dose of reality and effective contrast between the family bubble and the “real world,” though not every fantastical element of the story proves false. The family’s connection to the earth is undeniable, and for some of them, necessary. As resources dwindle and everything falls apart, the need for change—for both the world and the humans who live in it—drives them to find their own ways to honor the compact.
Chronister effectively straddles fantasy and reality while exploring themes of stewardship and ties to the earth.Pub Date: Oct. 1, 2024
ISBN: 9781640096622
Page Count: 336
Publisher: Counterpoint
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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