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STAR KNIGHTS

A lively hero’s journey, not least for a frog.

A young frog finds a friend and embarks on an adventure that upends a myth.

Tad longs to transform into a Star Knight like those told about in local legends. In the stories, falling stars conferred humanlike forms on the animals living in the forest. They became knights who built a grand, prosperous city on the mountain, but a witch turned them into voracious wraiths known as Fallen Fauna. Tad relates this lore to another small creature and then approaches Sophos the old turtle to help with understanding details about the star wishes. However, the turtle viciously reviles the young frog for being one of the mud dwellers—frogs and salamanders—who are the villains of the story and allies of the Marsh Witch. Soon after, when a star seems to fall into the Milky Way Marsh, a sword-wielding, bright-haired person comes to Tad’s rescue. Tad believes this to be Stello, the Star King, and pledges to help Stello find a way to get back to space. Davault’s characters have a plump, big-eyed, punchy energy, and her angular panels in pleasing colors keep the complex narrative zipping along. Humanoid characters have skin colors ranging from dark brown to eggshell. Unlikely and unexpected heroes and cosmic royalty in disguise underscore the lively quest, while intriguing reversals serve to emphasize Tad’s emotional growth.

A lively hero’s journey, not least for a frog. (additional art) (Graphic fantasy. 8-12)

Pub Date: July 5, 2022

ISBN: 978-0-593-30365-8

Page Count: 240

Publisher: Random House Graphic

Review Posted Online: April 12, 2022

Kirkus Reviews Issue: May 1, 2022

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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