An engaging and expertly paced mystery that blends aviation, intrigue, and a hint of romance.
In this novel, a savvy female pilot becomes an unlikely detective after a murder disrupts a routine mission.
Cassie Deakin, a clever and capable pilot, has no patience for charm or distraction—especially not from attractive men like Frank White. As Cassie tells readers from the start, “I do not like handsome men. Not that I have much experience with them, but in my opinion, they’re self-absorbed and untrustworthy.” But when she’s forced to fly Frank, a former Drug Enforcement Administration agent–turned–deputy sheriff, to her Uncle Charlie’s farm, Cassie finds herself swept into a tangled web of violence, secrets, and long-buried truths. What begins as a grudging job quickly turns into a perilous investigation when a body is found on the property and her beloved uncle is gravely injured. The stakes rise with eerie swiftness: The dead man “was lying on his back with his arms splayed out and a big, ugly hole in his chest. There was a lot of blood.” With law enforcement baffled and tensions rising, Cassie—supported by an endearingly rough-edged biker friend and a protective gelding named Old Dan—reluctantly steps into the role of sleuth. In this series opener, DiBianca crafts a winning protagonist in Cassie: fiercely independent, dryly humorous, and disarmingly human. Cassie’s narration is brisk and laced with sharp wit: “I scowled back. ‘I can take care of myself.’ I brushed a lock of hair out of my face. ‘All I want is a hot shower.’” Emotionally charged yet never melodramatic, the tale moves quickly through short, punchy chapters that maintain tension and momentum. Action sequences are vivid and immersive, balanced by Cassie’s reflective moments: “I was empty inside, like some big alien had sucked the organs out, and all that was left was a hollow shell.” While the plot relies on some familiar genre beats—hidden valuables, rural conspiracies, and red herrings—DiBianca keeps the story engaging through colorful characters, snappy dialogue, and unexpected moments of warmth. The relationship between Cassie and Frank simmers just below the surface, filled with barbed flirtation and unresolved tension. Cassie’s journey from a lone pilot to an invested investigator gives the story its heart, even as the mystery unravels with satisfying twists.
An engaging and expertly paced mystery that blends aviation, intrigue, and a hint of romance.Pub Date: Oct. 30, 2023
ISBN: 9781735788876
Page Count: 235
Publisher: Wordstar Publishing LLC
Review Posted Online: April 23, 2025
Kirkus Reviews Issue: June 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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