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SLEEPING WITH FEAR

Pallid thrills.

Just when she most desperately needs her special powers, a psychic FBI agent is unable to draw on them in the final installment of Hooper’s latest trilogy (Chill of Fear, 2005, etc.).

Riley Crane is a member of the FBI’s Special Crimes Unit, a team of agents with a variety of psychic gifts. On unofficial assignment investigating possible occult activity in coastal South Carolina, she wakes up in bed covered with buckets of blood. She’s uninjured; the pistol that she keeps under her pillow is right where it’s supposed to be; and the rented house is undisturbed. But she can’t remember anything from the recent past. Why does her neatly unpacked wardrobe include sexy, brand-new lingerie? And why does someone whose meals are usually take-out have such a well-stocked refrigerator? Checking in with the home office, Riley finds that she has apparently been on autopilot for about three weeks. Her “spider sense” and clairvoyance may have deserted her, but her spunk has not. Riley straps on her piece and rejoins the world, looking for clues about what she was doing before she blacked out. It helps when local police summon her to a crime scene where it appears that devil worshipers have strung up and beheaded a middle-aged Caucasian male. Super-handsome District Attorney Ash Prescott arrives soon after, and hot shivers tell Riley she’s been boffing the DA, though she has no recollection of it. Trusting her sense memory, she is soon rolling again in the sheets with Ash, who not only has rippling muscles and broad shoulders but great culinary skills. (That explains the full fridge.) Food is extremely important for Riley, who has the metabolism of a hummingbird and needs extra energy for psychic bursts—a plot point that does not excuse the distracting product placement for PowerBars, which constantly turn up on cue. Despite further memory lapses, Riley never gives up, sensing that Someone Evil has it in for her.

Pallid thrills.

Pub Date: July 18, 2006

ISBN: 0-553-80318-2

Page Count: 292

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2006

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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