by Kay Redfield Jamison ‧ RELEASE DATE: Feb. 28, 2017
A deeply informed investigation of a poet’s suffering and creative triumph.
A renowned psychologist connects bipolar disorder to creativity.
MacArthur Fellow Jamison (Psychiatry/Johns Hopkins Univ. School of Medicine; Nothing Was the Same: A Memoir, 2009, etc.) brings her professional expertise to an intimate, sensitive, and perceptive account of the illness from which poet Robert Lowell (1917-1977) suffered most of his life: bipolar disorder, characterized by violent mood swings, an illness from which Jamison also suffers. Drawing on Lowell’s medical records, Jamison closely examines the course of his disease and the various treatments—psychotherapy, electroconvulsive shock treatments, drug therapy—offered to Lowell as medical knowledge evolved. Mania has a long cultural and scientific history, which the author recounts in fascinating detail. Her focus, though, is on Lowell, who was first hospitalized in 1949; subsequent episodes recurred throughout his life, often requiring monthslong hospital stays. Lithium allowed him longer stretches of stability, but Jamison believes it dampened his creativity. Unfortunately for the narrative—and surely for Lowell—the onslaught and course of illness repeat the same trajectory: “the mind leaps; speech rushes; words ribbon out fast, unbidden, cutting. Ideas and schemes proliferate, alliances shift.” Lowell suffered grandiose delusions, hallucinations, religious mania, and impetuous love affairs, much to the dismay of his second wife, the writer Elizabeth Hardwick. Jamison offers chilling testimony of these episodes from Hardwick, Lowell’s friends, and his doctors, and she mines Lowell’s poetry and letters for his own responses. The author insists, as she has done in previous books, that mania corresponds to artistic brilliance and intellectual prowess; manic patients display “enhanced memory and originality”; biographical studies of individuals of “creative eminence” reveal a high rate of mental disorders; and students who perform exceptionally well in music and language “were four times more likely to be hospitalized later for bipolar disorder” than were average students. Similarly, records of 20 “socially important families” revealed that they were “saturated with manic-depressive psychosis.” Jamison argues persuasively that mania fueled Lowell’s poetry, but her celebration of psychosis seems to romanticize an affliction that she presents as devastating.
A deeply informed investigation of a poet’s suffering and creative triumph.Pub Date: Feb. 28, 2017
ISBN: 978-0-307-70027-8
Page Count: 544
Publisher: Knopf
Review Posted Online: Nov. 14, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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