Supernatural beings propel this intricate, intriguing, and surprisingly energetic tale.
In this paranormal sequel, a teenage angel/demon hybrid and her family clash with hell’s power-hungry queen and her famous dad, Lucifer.
With her father, Lucifer, supposedly dead, Queen Lucinda aspires to be the most powerful figure in hell, tormenting and consuming demon and human souls. World domination is also in reach if she can turn the tide in the imminent Red War between heaven and hell. It seems odd, then, that Lucinda focuses her attention on Crighton, Lucifer’s former soul seeker and a Nephilim (an angel/demon), whom the queen loves. Crighton lives in Middle Earth, a place that’s neither heaven nor hell, with his guardian angel soul mate and their 17-year-old daughter, Samara. But Lucinda has a diabolical plan; she abducts someone in Crighton’s family who’s reputedly the key to destroying heaven in the war. Meanwhile, Lucifer, an angel once more, hijacks a “meat suit” and returns to hell. He aims to seize the throne back from Lucinda while his disturbing obsession with Samara slowly brews. He may be an even bigger threat than his daughter, as he’ll likely use his power to annihilate everything—heaven, hell, and Earth. McFarren’s epic follow-up to Soul Seeker (2020) brims with vivid characters and subplots, fueling the sequel’s impressive pace. For example, Samara’s demon-filled school days culminate in a murder mystery, and disappearing members of Crighton’s family spur several rescue missions. In addition, the author’s pithy details don’t linger excessively on scenes of brutal torture and explicit sex. Much of the cast is gleefully complex, harboring unexpected connections to others, and rarely trustworthy, though Samara is a consistently appealing young protagonist. While Lucinda’s thirst for power drives the story, the lengthy final act swerves drastically, introducing myriad new characters and twists aplenty involving Samara and a weirdly specific prophecy. Still, the doozy of a cliffhanger will surely leave readers yearning for a third series installment.
Supernatural beings propel this intricate, intriguing, and surprisingly energetic tale.Pub Date: Jan. 3, 2022
ISBN: 978-1-68564-056-9
Page Count: 523
Publisher: Creative Edge Publishing LLC
Review Posted Online: Feb. 7, 2022
Review Program: Kirkus Indie
FANTASY | PARANORMAL FICTION | FAMILY LIFE & FRIENDSHIP | TEENS & YOUNG ADULT DYSTOPIAN FICTION | TEENS & YOUNG ADULT SCIENCE FICTION & FANTASY | TEENS & YOUNG ADULT PARANORMAL & SUPERNATURAL | TEENS & YOUNG ADULT FAMILY | ACTION & ADVENTURE FANTASY | PARANORMAL FANTASY | GENERAL MYSTERY & DETECTIVE | GENERAL FICTION
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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