A military sea novel set largely in space: Patrick O’Brian meets Elizabeth Moon.
Character-driven military science fiction, the first installment in Wagers’ NeoG series revolves around Maxine Carmichael, a lieutenant in the Near-Earth Orbital Guard who has spurned the influence of her powerful family and followed her own path into space.
Set in the year 2435—centuries after the nebulous Collapse—the narrative begins with Carmichael’s being assigned to Zuma’s Ghost, a NeoG ship with a close-knit crew that has done well in the Boarding Games, an annual competition that pits various military infiltration teams against one another for bragging rights. As if being the person to replace a beloved crew member (who got promoted) wasn’t bad enough, the perception of her dynastic family name (her parents are both Navy admirals) makes her assimilation even more difficult. With four months until the next Games, Carmichael has the added pressure of not only doing her high-pressure job, but of performing well in the hypercompetitive matches. Her life quickly becomes even more complicated when the salvagers they apprehend onboard a missing system jumper turn up dead shortly after being taken into custody. Traces of a substance link the dead to LifeEx, a company that produces a life-extending serum and that Carmichael’s sister coincidentally heads as its CEO. When someone begins attempting to kill off Zuma’s Ghost crew members, Carmichael must figure out if the attacks are connected to the upcoming Games, her investigation into the LifeEx mystery, or both. While the multidimensional character of Carmichael—who happens to be asexual—and other female characters (like butt-kicking Petty Officer 1st Class Altandai “Jenks” Khan) are the story’s obvious strength, there are noticeable flaws. Carmichael’s complicated relationship with Jenks at times strains the bounds of believability. Additionally, the pacing and fluidity are erratic, particularly in the later Games sequences, which come across as rushed and don’t fit organically with the overall narrative flow.
A military sea novel set largely in space: Patrick O’Brian meets Elizabeth Moon.Pub Date: March 3, 2020
ISBN: 978-0-06-288778-8
Page Count: 432
Publisher: Harper Voyager
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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