An effervescent pop-up version of the familiar tale of the wide-mouthed frog who blithely asks each animal he meets what it likes to eat, including an alligator who says that he eats wide- mouthed frogs. The frightened frog purses his lips as tightly as possible and beats a hasty retreat. This storyteller favorite is traditionally told with comical facial expressions and voices to match; here, a similar effect is achieved with a clever use of typeface. Lambert's jolly, oversized illustrations feature lots of comic touches and lend themselves perfectly to the paper engineering: the frog's wide mouth and sticky tongue (complete with fly), a bird's pointy beak, a mouse's snout and whiskers, the alligator's snapping jaws (which extend a full nine inches from the page), and, at the scene of the frog's escape, an enormous ``SPLASH!'' A good pop-up for the very young, the book is printed on heavy stock and the special effects don't need to be manipulated: They move when the pages are turned. In fact, the animals ``talk'' like puppets when the open book is flexed slightly. More durable and economical than many of its type, this one is also great fun. (Picture book/folklore. 2-6)
Pub Date: March 1, 1996
ISBN: 0-8037-1875-6
Page Count: 14
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
BOOK REVIEW
BOOK REVIEW
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
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