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THE DEN

From the Everyone Can Be a Reader series

A compelling antihero for reluctant readers.

An exciting discovery exposes a friendship’s fault lines.

Since his mother left and his sister moved out, 13-year-old Marshall has lived with his emotionally volatile father, who has been addicted to painkillers ever since an injury when he worked as a roadie. To avoid him, Marshall spends as much time with his best friend, Rory, as possible. While out riding bikes on the first day of summer vacation, the boys find an underground bunker in the woods beyond their village, and Marshall decides to make it into a hideaway—his very own den where he can avoid his father. But when Rory wants to invite Sam and Trev, from whom Marshall has been estranged following a fight, Marshall turns on Rory, eventually enlisting another boy, Greg, to help him drive the other three away from the den. A fight ensues—Greg’s father owns a doggie day care, giving Greg access to large quantities of fresh dog poop to use as weapons—and the boys will have to decide whether to abandon their friendship or figure out how to reconcile. Designed to be dyslexia-friendly and appealing to reluctant readers, this short novel will appeal to those interested in the challenges and intricacies of teen friendships. Readers will likely understand Marshall’s anger and desire to act out, potentially developing empathy that will carry over to the real world. The main characters present white.

A compelling antihero for reluctant readers. (Fiction. 13-18)

Pub Date: Jan. 14, 2025

ISBN: 9781454958499

Page Count: 120

Publisher: Union Square & Co.

Review Posted Online: Oct. 11, 2024

Kirkus Reviews Issue: Nov. 15, 2024

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WE WERE LIARS

From the We Were Liars series

Riveting, brutal and beautifully told.

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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 16, 2014

Kirkus Reviews Issue: April 1, 2014

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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