by Kekla Magoon ‧ RELEASE DATE: Jan. 4, 2011
Ella and Zachary, sixth-grade misfits, cling to each other to get through the taunts, rejection and, sometimes, abuse from their classmates.
Ella is the only black student, and her discolored skin tone has some calling her “Camo-Face,” short for camouflage. Zachary, or “Z,” is small for his age and takes refuge in fantasy to cope with abandonment by his father. When a new black student arrives and seems open to Ella, she has hope for a new friendship, especially because, even though he can fit in with the popular group, Bailey reaches out to her. The insecure Z sees this as a threat, and Ella is torn between her loyalty to him and her wish for some normalcy. This elegantly crafted story features strong writing and solid characterizations of both main and secondary characters. Ella and Bailey’s racial identity is one element in a full and richly textured narrative.
An out-of-the-ordinary setting—just outside of Las Vegas—and the nuanced picture of young teens and families under stress make this an outstanding follow-up to Magoon’s Coretta Scott King/John Steptoe Award–winning debut, The Rock and the River (2009). (Fiction. 8-14)
Pub Date: Jan. 4, 2011
ISBN: 978-1-4169-7804-6
Page Count: 224
Publisher: Aladdin
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 1, 2010
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by Jane Yolen ‧ RELEASE DATE: March 6, 2018
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Tim Federle ‧ RELEASE DATE: Feb. 5, 2013
Bravo, Nate! (Fiction. 8-13)
A story of Broadway dreams tailor-made for the younger side of the Glee audience.
Jankburg, Penn., has always been too small-town for 13-year-old Nate Foster’s Broadway-sized dreams. Jocks and God rule in the Foster house, which is good news for Anthony, Nate’s older brother, and bad news for a boy with a soft spot for jazz hands and show tunes. Thankfully, Nate’s best friend, Libby, shares his love of the Great White Way. When Libby learns of an upcoming audition for a Broadway-musical version of E.T., it’s too good an opportunity to pass up. With Libby as his cover, the two hatch a plan that will have Nate to New York and back with the role of Elliott firmly in hand before anyone even knows he’s gone missing. Alas, things rarely go according to plan. Nate is a quirky and endearing leading man from the start, and anyone who has ever felt out of place will easily identify with him. It’s a joy to watch him fall head over heels for a city that couldn’t care less about him—in the best possible way. Unfortunately, the cartoonish cover art and a predominantly lighthearted beginning may mislead some readers. Federle’s debut addresses—deftly—big and solemn issues in the second half of the novel, particularly with regard to family, sexuality and religion.
Bravo, Nate! (Fiction. 8-13)Pub Date: Feb. 5, 2013
ISBN: 978-1-4424-4689-2
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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