THE GIRL WHO WROTE IN SILK

Name: THE GIRL WHO WROTE IN SILK
Author: Kelli Estes
ISBN: 978-1-4926-0833-2

by Kelli Estes ‧ RELEASE DATE: July 7, 2015

Though there are a few unnecessary coincidences, Estes' debut is a pleasing blend of historical fiction and contemporary...

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In a house on Orcas Island, the stories of two young women unfold: a 19th-century Chinese-American and a recent college graduate trying to piece together a mystery left behind.

Inara Erickson, just out of business school, has a corporate job at Starbucks waiting for her. She just needs to settle her aunt's estate before she steps into adulthood. Aunt Dahlia has left her Rothesay, the family compound on Orcas Island in the Puget Sound. But when Inara gets there, she begins to take Dahlia's old dream of turning the place into a hotel seriously. While poking around, she finds a piece of elaborately embroidered cloth hidden in a stair tread. She returns to Seattle with two objectives: to find out more about the embroidered sleeve and to convince her father to finance her conversion of Rothesay into a boutique hotel. Alternating with Inara's story, Mei Lien's tragic tale comes to light. Born in Seattle, she lives with her father and grandmother above their dry goods shop until public sentiment turns violent. On the tail of the Chinese Exclusion Act, her whole neighborhood is forced onto a boat for China. But the ship's racist owner, Inara's great-great-great grandfather Duncan Campbell, has other plans—to dump his human cargo into the sea. Mei Lien is rescued by Joseph McElroy and brought to his homestead on Orcas. They fall in love, marry, and have a son but are ostracized—and worse yet, Duncan Campbell is their neighbor. Meanwhile, Inara is beginning her own romance with Daniel Chin, an academic who's helping her research the origin of her embroidered cloth. When Inara discovers that her ancestor, soon to be commemorated in a city park, is a mass murderer, she has to decide whether to reveal her secret.

Though there are a few unnecessary coincidences, Estes' debut is a pleasing blend of historical fiction and contemporary drama.

Pub Date: July 7, 2015

ISBN: 978-1-4926-0833-2

Page Count: 400

Publisher: Sourcebooks Landmark

Review Posted Online: July 12, 2015

Categories:

GENERAL FICTION

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THE POET

by Michael Connelly ‧ RELEASE DATE: Jan. 15, 1996

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Connelly takes a break from his Harry Bosch police novels (The Last Coyote, p. 328, etc.) for something even more intense: a reporter's single-minded pursuit of the serial killer who murdered his twin. Even his buddies in the Denver PD thought Sean McEvoy's shooting in the backseat of his car looked like a classic cop suicide, right clown to the motive: his despondency over his failure to clear the murder of a University of Denver student. But as Sean's twin brother, Jack, of the Rocky Mountain News, notices tiny clues that marked Sean's death as murder, his suspicions about the dying message Sean scrawled inside his fogged windshield—"Out of space. Out of time"—alert him to a series of eerily similar killings stretching from Sarasota to Albuquerque. The pattern, Jack realizes, involves two sets of murders: a series of sex killings of children, and then the executions (duly camouflaged as suicides) of the investigating police officers. Armed with what he's dug up, Jack heads off to Washington, to the Law Enforcement Foundation and the FBI. The real fireworks begin as Jack trades his official silence for an inside role in the investigation, only to find himself shut out of both the case and the story. From then on in, Jack, falling hard for Rachel Walling, the FBI agent in charge of the case, rides his Bureau connections like a bucking bronco—even as one William Gladden, a pedophile picked up on a low-level charge in Santa Monica, schemes to make bail before the police can run his prints through the national computer, then waits with sick patience for his chance at his next victim. The long-awaited confrontation between Jack and Gladden comes at an LA video store; but even afterward, Jack's left with devastating questions about the case. Connelly wrings suspense out of every possible aspect of Jack's obsessive hunt for his brother's killer. Prepare to be played like a violin.

Pub Date: Jan. 15, 1996

ISBN: 0-316-15398-2

Page Count: 440

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

Categories:

GENERAL FICTION

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EVA LUNA

by Isabel Allende ‧ RELEASE DATE: Oct. 21, 1988

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Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.