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HIROSHIMA DREAMS

Lin is extraordinarily shy but forms a bond with Obaachan, her Japanese grandmother, who comes to live with Lin’s multi-racial family in New England. In three parts, Lin’s first-person narration spans kindergarten to fifth grade to high school, steeping the reader in Lin’s present and subtly drawing out the details of her family and school life: finally making friends, sharing a room with her extroverted older sister, observing the strained relationship between her mother and Obaachan. Lin’s bond with Obaachan centers around the two’s “special sight,” which is handled very naturally, without sensationalizing. Underlying Lin’s narrative is her curiosity about Obaachan, who was present at the bombing of Hiroshima, and who is now dying very slowly. Neither of these things is spoken of in the family, yet clearly they define everyone’s relationships. Lin’s observations of her family drawn between two cultures—with very different ways of seeing the world and speaking about it—has appeal for a remarkably wide range of ages, especially fans of An Na’s A Step from Heaven (2001) or Cynthia Kadohata’s Kira-Kira (2004). (Fiction. 9-16)

Pub Date: Oct. 1, 2007

ISBN: 978-0-525-47821-8

Page Count: 192

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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SEE YOU IN THE COSMOS

Riveting, inspiring, and sometimes hilarious.

If you made a recording to be heard by the aliens who found the iPod, what would you record?

For 11-year-old Alex Petroski, it's easy. He records everything. He records the story of how he travels to New Mexico to a rocket festival with his dog, Carl Sagan, and his rocket. He records finding out that a man with the same name and birthday as his dead father has an address in Las Vegas. He records eating at Johnny Rockets for the first time with his new friends, who are giving him a ride to find his dead father (who might not be dead!), and losing Carl Sagan in the wilds of Las Vegas, and discovering he has a half sister. He even records his own awful accident. Cheng delivers a sweet, soulful debut novel with a brilliant, refreshing structure. His characters manage to come alive through the “transcript” of Alex’s iPod recording, an odd medium that sounds like it would be confusing but really works. Taking inspiration from the Voyager Golden Record released to space in 1977, Alex, who explains he has “light brown skin,” records all the important moments of a journey that takes him from a family of two to a family of plenty.

Riveting, inspiring, and sometimes hilarious. (Fiction. 10-14)

Pub Date: Feb. 28, 2017

ISBN: 978-0-399-18637-0

Page Count: 320

Publisher: Dial Books

Review Posted Online: Oct. 18, 2016

Kirkus Reviews Issue: Nov. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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