This story deftly fuses a family’s engaging dynamic with chic superpowers.
Reunited supernaturally-gifted brothers find themselves in danger after meeting the family they’ve never known in White’s debut YA novel.
It’s been a decade since 16-year-old Julian Harrington’s parents’ divorce split the family in two. His father died several years ago, leaving Julian in Boston with his paternal grandparents. Now, he gets news that his estranged mother has died, which requires a trip to San Francisco for the reading of the will and a reunion with his younger brother, Jacob. Their aunt and newly-minted legal guardian Molly Finnegan takes the boys to Finnegan’s Close, a castle in Ireland. It’s there they learn of their extended family’s “Gifts”—special abilities the brothers already have but can’t quite control. With training (courtesy of their aunts and uncles), Julian slowly masters his telekinesis and Jacob develops his telepathy. Unfortunately, Jacob’s skills attract the attention of a diabolical criminal who targets the boy with a sinister purpose in mind. White’s novel quickly establishes the simpatico brothers, who have no idea why their parents kept them apart or why their Finnegan relatives have all but ignored them for so long. The siblings’ relationship is endearing; they instantly reconnect, displaying a sturdy bond that only gets stronger despite Jacob being a mere 3-year-old when Julian last saw him. The Finnegans are an entertainingly mixed bag—some, like Molly, are loving (“She pulled him into a hug. Jacob let himself feel the warmth of it”), while others are indifferent or even outright hostile. While the author subtly weaves the Gifts into the narrative, they still stand out, running the gamut from Molly’s electricity manipulation to Uncle Ned’s ability to “wipe memories.” The novel is primed for sequels—it ends with numerous mysteries surrounding the family, including the backstory of Julian and Jacob’s parents, an unknown uncle apparently up to “his usual shenanigans” in America, and certain relatives who seemingly hate the brothers.
This story deftly fuses a family’s engaging dynamic with chic superpowers.Pub Date: June 27, 2024
ISBN: 9781800168213
Page Count: 388
Publisher: Vanguard Press
Review Posted Online: Dec. 11, 2024
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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