Visually sophisticated in a totally accessible way.
Louise and Art are back, bright-eyed and excited about their new neighbor.
Louise clutches her drawing papers and bursts with hope that the new kid next door loves art as much as she does. Her little brother, Art (whose name’s affectionate double meaning was featured in Louise Loves Art, 2014), is eager too. They’re in luck: Andie, despite half-mast eyelids implying reticence or blasé posturing in contrast to Louise’s and Art’s wide-eyed earnestness, is an artist as well. Details such as pop-art dog portraits and a pyramid of Campbell’s soup cans invoking retro advertisements create energy and spark, even for readers who don’t know the references. The three pink-skinned kids gleefully draw and paint together, squabble, separate, and ultimately resolve the dispute with, fittingly, more art. Their round-framed eyeglasses—Louise wears red frames with clear glass, while Andie wears black frames with blue glass—figure heavily in the artistic solution to their fight. Light uses black pencils and mostly red, blue, and gray digital coloring in her inventively composed spreads. In one, 13 scenes of the characters scatter across a double-page spread, each on its own piece of drawing paper. In another, readers have a (roughly) floor’s-eye view of the girls propped upside down, heads on the floor, legs on the bed, while Art dangles beside them.
Visually sophisticated in a totally accessible way. (Picture book. 3-6)Pub Date: June 14, 2016
ISBN: 978-0-06-234440-3
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)
Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.
Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.
A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)Pub Date: Oct. 1, 2019
ISBN: 978-1-4521-6863-0
Page Count: 60
Publisher: Chronicle Books
Review Posted Online: June 24, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one...
Beauty is said to be in the eye of the beholder, and this book encourages readers to regard everyone as “lovely.”
In today’s world, with increasingly evident diversity in race, ethnicity, gender expression, sexuality, fashion, body shape, abilities, and choices about everything, the author/illustrator presents people of every description in the bold, brightly colored digital illustrations. Opposites are introduced: “black” for a white young woman clad in black and “white” for a young-looking, brown-skinned woman with flowing white hair. “Simple” appears on a tattooed white arm, along with a few designs, while “complex” is written on a brown arm, with what appear to be elaborate mehndi designs (henna designs applied before a South Asian wedding). A white baby is “soft,” and an older white woman with purple hair, a spiked denim jacket and choker, a nose ornament, and many ear decorations is “sharp.” A “tall” person with Asian features walks a small dog. A “short” smaller, light-brown–skinned male with green hair has a large dog. A gay interracial male couple face an adoring dark-brown–skinned child and mom. These pages read: “Lovely is you. / Lovely is me.” The last double-page spread includes young and old: a white woman in a wheelchair (there is one amputee with a modern prosthetic leg earlier in the book), a goateed man in a bustier, and others of various colors and sizes.
“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one brown eye! A simple book with lots of truth. (Picture book. 3-6)Pub Date: Oct. 1, 2017
ISBN: 978-1-939547-37-8
Page Count: 32
Publisher: Creston
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
BOOK REVIEW
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