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OFF THE EDGE

FLAT EARTHERS, CONSPIRACY CULTURE, AND WHY PEOPLE WILL BELIEVE ANYTHING

A timely and disturbing study of flawed, dangerous thinking.

A Daily Beast reporter probes the relationship between flat Earth beliefs and the rise of modern conspiracy theories.

Before the pandemic, the 2020 presidential election, and civil unrest changed the world, Weill regarded flat Eartherism as “something close to a joke.” Yet as the Trump administration and its penchant for “alternative facts” fed social and political turmoil at home and abroad, Weill was “stripped…of [the] smugness” she felt for believing that most people were grounded in reality. She looked more closely into the flat Eartherism she derided and discovered social parallels that intrigued as much as they unsettled. As the author notes, anti-globalism emerged out of the ashes of a failed socialist experiment—itself intended as a form of rebellion against the Industrial Revolution—in 19th century Britain. Weill attributes the persistence of this anti-scientific belief less to the delusions of crackpots like flat Earth movement founder Samuel Rowbotham and more to the idea that the conspiracy thinking in which flat Eartherism is grounded results when humans are faced with the incomprehensible and uncontrollable. Turning her attention to contemporary history, the author suggests how the internet—in particular, social media—has wrought havoc on truth by helping to disseminate disinformation. In turn, this has helped create a paranoid culture and “conspiratorial melting pot” in which Rowbotham’s flat Eartherism has not only flourished, but also “cross-pollinated” with everything from anti-vaccination advocates to QAnon conspiracy theories. Perhaps most unnerving of all of Weill’s observations is that conspiratorial movements and cults are “cousins”—both have dogmatic followers that not only “keep each other in line,” but also keep themselves “away from the outside world.” This provocative book is sure to inspire debate about conspiracy theories as well as how citizens of a fractured world can learn to overcome their fear of radical planetary change.

A timely and disturbing study of flawed, dangerous thinking.

Pub Date: Feb. 22, 2022

ISBN: 978-1-64375-068-2

Page Count: 256

Publisher: Algonquin

Review Posted Online: Nov. 2, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THAT'S A GREAT QUESTION, I'D LOVE TO TELL YOU

A frank and funny but uneven essay collection about neurodiversity.

An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.

From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.

A frank and funny but uneven essay collection about neurodiversity.

Pub Date: Oct. 28, 2025

ISBN: 9780063381308

Page Count: 272

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 12, 2025

Kirkus Reviews Issue: Oct. 15, 2025

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