by Kelly Weill ‧ RELEASE DATE: Feb. 22, 2022
A timely and disturbing study of flawed, dangerous thinking.
A Daily Beast reporter probes the relationship between flat Earth beliefs and the rise of modern conspiracy theories.
Before the pandemic, the 2020 presidential election, and civil unrest changed the world, Weill regarded flat Eartherism as “something close to a joke.” Yet as the Trump administration and its penchant for “alternative facts” fed social and political turmoil at home and abroad, Weill was “stripped…of [the] smugness” she felt for believing that most people were grounded in reality. She looked more closely into the flat Eartherism she derided and discovered social parallels that intrigued as much as they unsettled. As the author notes, anti-globalism emerged out of the ashes of a failed socialist experiment—itself intended as a form of rebellion against the Industrial Revolution—in 19th century Britain. Weill attributes the persistence of this anti-scientific belief less to the delusions of crackpots like flat Earth movement founder Samuel Rowbotham and more to the idea that the conspiracy thinking in which flat Eartherism is grounded results when humans are faced with the incomprehensible and uncontrollable. Turning her attention to contemporary history, the author suggests how the internet—in particular, social media—has wrought havoc on truth by helping to disseminate disinformation. In turn, this has helped create a paranoid culture and “conspiratorial melting pot” in which Rowbotham’s flat Eartherism has not only flourished, but also “cross-pollinated” with everything from anti-vaccination advocates to QAnon conspiracy theories. Perhaps most unnerving of all of Weill’s observations is that conspiratorial movements and cults are “cousins”—both have dogmatic followers that not only “keep each other in line,” but also keep themselves “away from the outside world.” This provocative book is sure to inspire debate about conspiracy theories as well as how citizens of a fractured world can learn to overcome their fear of radical planetary change.
A timely and disturbing study of flawed, dangerous thinking.Pub Date: Feb. 22, 2022
ISBN: 978-1-64375-068-2
Page Count: 256
Publisher: Algonquin
Review Posted Online: Nov. 2, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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by Alyssa Milano ‧ RELEASE DATE: Oct. 26, 2021
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.
Essays on current political topics by a high-profile actor and activist.
Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-18329-8
Page Count: 272
Publisher: Dutton
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
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by Alyssa Milano & Debbie Rigaud ; illustrated by Eric S. Keyes
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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