Moments of striking prose, sudden humor, and sharp analysis of social groups shine in this uneven collection.
A debut collection of imaginative, dark, and haunting stories tied loosely to themes of community, violence, and belonging.
These 10 magnetic stories range from otherworldly to intimate, dealing with a trio of depressive radio hosts, a kooky relative hoarding miniature dolls, and a group of women forced to marry enemy soldiers. Many stories take clear inspiration from the real world, such as in “Decency Rule,” when a power-hungry politician uses vulgarity and clownish humor to improve the lives of “people who were exactly like him.” But these stories spin familiar premises toward the absurd and comic. In “Such Great Height and Consequence,” a town reckons with the removal of a Confederate monument. Shenanigans ensue when the empty platform becomes a space for citizens to stand, sunbathe, practice violin, and spill secrets. Many of Norris’ stories find moments of stunning beauty in bleak and grizzly events. In “Certain Truths and Miracles,” a boy swallows mouthfuls of twinkling, poisonous plankton that will eventually kill him, but for a moment transform him into “a shimmering conduit of the sea’s bright light.” Often narrated by an omniscient “we” and usually featuring a cast of characters rather than an individual narrator, these stories build a lush sense of place through a chorus of voices. While Norris’ lyric prose often creates a thorough and detailed environment, several stories fizzle out, missing the propulsion of a narrative arc, character development, or plot movement. They occasionally struggle to build momentum beyond elegiac and clever descriptions.
Moments of striking prose, sudden humor, and sharp analysis of social groups shine in this uneven collection.Pub Date: Oct. 17, 2023
ISBN: 9781668016312
Page Count: 224
Publisher: Scribner
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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