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FINDING CANAAN

A debut novel that details a young man’s search for his roots in the Missouri Ozarks.
JC Eagle, a recent college graduate, knows little about his family background, other than that his mother was Native American and his father, whom he never met, was white. This lack of concrete knowledge about his forebears has been a lacuna in his life since he was in grade school, so he returns to his hometown of Yarbell, checks into a local boardinghouse and goes on a search for his father’s identity. He also reintegrates into his old community, which he finds is unwilling or unable to care about contaminated water and the machinations of a major corporation, as he connects with his Cherokee roots. DeHaven is clearly extremely familiar with this part of the United States, and he draws a precise portrait for the many readers who have little or no knowledge of its geography or customs. The novel also does a fair job of presenting its main character’s day-to-day life. However, the plot is, if anything, a bit overstuffed. The narration frequently shifts from past to present tense and back again, even within the same paragraph, which lends it an uneven, jerky quality. There’s an unpleasant academic tone as well, as if the author couldn’t quite decide whether to write a novel or an anthropology text; it would have been preferable, for example, if some facts were woven more seamlessly into the story (“In the Ozarks, it was taken for granted that a visitor was to be offered food and/or drink. There was no discussion about whether there was time. There was going to be something to eat and/or drink and there was going to be visiting”). Also, like that other JC, the main character is presented as something of a prophet, which, along with the novel’s liberal use of biblical quotations, can be off-putting.
Readers may find much of interest in this coming-of-age tale, but those with a low tolerance for didacticism may want to sit this one out.

Pub Date: Sept. 19, 2013

ISBN: 978-1621373469

Page Count: 302

Publisher: Virtualbookworm.com Publishing

Review Posted Online: Feb. 1, 2015

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THE SEVEN AGES

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Pub Date: April 9, 2001

ISBN: 0-06-018526-0

Page Count: 80

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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THE LIFE LIST

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Devastated by her mother’s death, Brett Bohlinger consumes a bottle of outrageously expensive Champagne and trips down the stairs at the funeral luncheon. Add embarrassed to devastated. Could things get any worse? Of course they can, and they do—at the reading of the will. 

Instead of inheriting the position of CEO at the family’s cosmetics firm—a position she has been groomed for—she’s given a life list she wrote when she was 14 and an ultimatum: Complete the goals, or lose her inheritance. Luckily, her mother, Elizabeth, has crossed off some of the more whimsical goals, including running with the bulls—too risky! Having a child, buying a horse, building a relationship with her (dead) father, however, all remain. Brad, the handsome attorney charged with making sure Brett achieves her goals, doles out a letter from her mother with each success. Warmly comforting, Elizabeth’s letters uncannily—and quite humorously—predict Brett’s side of the conversations. Brett grudgingly begins by performing at a local comedy club, an experience that proves both humiliating and instructive: Perfection is overrated, and taking risks is exhilarating. Becoming an awesome teacher, however, seems impossible given her utter lack of classroom management skills. Teaching homebound children offers surprising rewards, though. Along Brett’s journey, many of the friends (and family) she thought would support her instead betray her. Luckily, Brett’s new life is populated with quirky, sharply drawn characters, including a pregnant high school student living in a homeless shelter, a psychiatrist with plenty of time to chat about troubled children, and one of her mother’s dearest, most secret companions. A 10-step program for the grief-stricken, Brett’s quest brings her back to love, the best inheritance of all. 

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Pub Date: July 30, 2013

ISBN: 978-0-345-54087-4

Page Count: 368

Publisher: Bantam

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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