An entertaining, amusing collection of a wide variety of visions of the afterlife.
Everything you always wanted to know about the afterlife but were too alive to ask.
Jennings, famous Jeopardy! champion and author of multiple bestselling books, catalogs 100 conceptions of an afterlife conjured from mythology, world religions, books, movies, TV, music, theater, and beyond. Sources include such landmark depictions of heaven and hell as those in Dante's Divine Comedy and Milton's Paradise Lost as well as in lesser-known texts. Amusingly, Jennings presents his compilation as a sort of guidebook for tourists. There are sidebars on "Where To Stay" (in Dante's Inferno, that's the First Circle, "but it's crowded and books up fast”), "Getting Around" (in Hades, via Charon, the ferryman of the dead), and "Eating and Drinking.” In ancient Egypt, "In-Room Dining" for the pharaohs includes a personal supply of mummified eats. Popular-culture portrayals of the afterlife include usual suspects like It's a Wonderful Life and The Twilight Zone but also more obscure fare such as “Heaven,” the Talking Heads song about “a place where nothing ever happens.” For many cultures, death leads to a literal kind of travel to the afterlife, a journey, often across water. Certain figures recur in these otherworldly voyages, including all manner of ghosts and "psychopomps," or “immortal guides.” In the origins of Haitian Voodoo, death is a journey back in time to the “Mother Continent” of the enslaved population. In Eastern Orthodox Christianity, one must "clear customs," a series of floating stations, on the way to heaven. Jennings also explores Hieronymus Bosch's The Garden of Earthly Delights, Marvel and DC Comics, Disneyland rides, Twin Peaks, the network comedy The Good Place, video games, and Dungeons and Dragons. The most resonant "No-Frills Accommodations" may be found in Jean-Paul Sartre's No Exit, where "each room has a door, but it usually won't open," and "Hell is—other people."
An entertaining, amusing collection of a wide variety of visions of the afterlife.Pub Date: June 13, 2023
ISBN: 9781501131585
Page Count: 304
Publisher: Scribner
Review Posted Online: March 21, 2023
Kirkus Reviews Issue: April 15, 2023
PERSPECTIVES
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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