Dan Inagaki is tired of being labeled “Oriental” and equally tired of the pressure from his parents to be the perfect Japanese-American son. Dan’s pals Eddie, Frank, and Jerry all have their own takes on coping with the prejudices and stereotypes within and outside their community in 1970s Seattle. The mixture of races at Beacon Hill High is all in that slow move to political consciousness that epitomized the decade, but Dan feels he and his friends are barely waking up. With the example of “black power” he tries to take some actions for change. Mochizuki (Passage to Freedom, not reviewed, etc.) makes the time period vivid with mentions of the music, drugs, hair styles, clothing, and, of course, the Vietnam War. Successful at portraying the boy’s impatience with their labels, Dan is less successfully shown as beginning his revolt against the assumptions of those around him. Throughout, he longs for the attention of Janet, whose beauty and style make her beyond reach, especially given his inarticulate longings. Despite her hints of being interested and the flirtatiousness of others, sex barely exists in the story. The flavor is highly autobiographical, and indeed, Mochizuki grew up in Seattle during this time period, and has commented on his own struggle with prejudice. Perhaps it is the veil of fiction that makes this episodic narrative seem distant from the character’s inner turmoil. On the other hand, it is perhaps Mochizuki’s closeness to the people and events that makes it seem more of a recitation of painful memories that even time and distance haven’t softened. Beginning and ending with a family dinner at a Japanese restaurant, the story offers little closure for the characters beyond Dan’s own reflections of hope for change. Lifelike and true to that most befuddling of times. (Fiction. YA)
Pub Date: Nov. 1, 2002
ISBN: 0-439-26749-8
Page Count: 208
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Black is building a complex mythology; now is a great time to tune in.
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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