Things may not end happily ever after, but they do end just right.
Four rival queens, civil war, vengeful ghosts, lethal mists, torture, madness…any happy ending seems very unlikely in this conclusion of a pitch-black fantasy quartet.
As Arsinoe turns to low magic in a frantic effort to cure Jules’ legion curse, Mirabella abandons the rebel army for Katharine. But the dead queens possessing the Queen Crowned grow ever more bloodthirsty, and all Fennbirn Island may have to pay the cost. The earlier books assembled huge casts to wrangle and an enormous tangle of plot threads to tie off, so it’s no surprise that even with its considerable heft, this tome feels a bit crowded and rushed. But if Blake (Two Dark Reigns, 2018, etc.) relies on a deus ex machina (or, more accurately, a dea ex caverna) to resolve otherwise intractable narrative knots, she does not stint on her characters: Each one is a complicated, sympathetic individual with intelligible motivations despite their often bloody deeds. As the story digs into the legendary history of Fennbirn’s matriarchal culture—apparently default white but also intriguingly default female and explicitly not default heterosexual—it gains greater depth and richness. Yet this world remains harsh, dark, and graphically violent, filled with impossible choices and dreadful sacrifices; As everyone fights, betrays, or tries to flee, all are inevitably drawn to the climactic clash that leaves no one unscathed.
Things may not end happily ever after, but they do end just right. (cast of characters, map) (Fantasy. 14-adult)Pub Date: Sept. 3, 2019
ISBN: 978-0-06-268617-6
Page Count: 320
Publisher: HarperTeen
Review Posted Online: June 9, 2019
Kirkus Reviews Issue: July 1, 2019
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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