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FIRE ON THE FRONTIER

A nuanced story of conflicts in the Roman Empire.

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Kunkel’s work of historical fiction centers on the Roman Empire’s relationship with Germania.

Marcus Numitor is a young man in the Roman legionnaires. He’s always been told that his parents were slaughtered by Germanic barbarians, which motivates him to fight for Rome on the empire’s frontier. Early on, he’s stationed in the port city of Ostia, performing such tasks as maintaining security at gladiatorial games. Few things seem to excite the citizenry more than watching gladiators fight wild animals, or one another. A woman who participates in the games goes by the moniker Maxima, although her real name is Helena; she’s been a gladiator for four years and uses the job as a way to vent her rage over her difficult past. Her fellow gladiator women often have similarly troubled life stories. Helena and Marcus meet and quickly hit it off. Naturally, though, their occupations complicate their relationship, as does Helena’s horrible family, and the chance that Marcus could be called up for combat duty at any time. However, they understand each other deeply. Meanwhile, a centurion named Rakan is investigating a series of murders in Ostia; he comes to believe that the victims were worthy of such punishment, but he’s committed to stopping the killing nonetheless. Rakan even meets with Emperor Augustus to discuss the situation; Augustus, though, has bigger problems, as he wants to see Germania become a “well-behaved province like all the others.” His resolve will result in a bloody battle in Teutoburg Forest in which Marcus sees action.

Kunkel looks at familiar aspects of ancient Rome from some unexpected angles. For instance, professional gladiators like Helena didn’t kill one another; they’d end the lives of animals and criminals, but not fellow professionals—at least, not intentionally. After all, gladiators were an investment requiring “Extensive training, excellent medical care, [and] the finest in supplies.” The book also takes a close look at Rome’s relationship with barbarian peoples. Some cultures could be friendly and seek to “trade and to get their hands on some nice Roman products”; others were less willing to make peace. In other areas, the narrative goes after more obvious fare. The subplot of Rakan’s search for a killer isn’t the most compelling mystery; many readers will guess the solution early on. Also, the dialogue tends to be rather bland and expositional for a world that’s swarming with violence, as when Helena explains a move to a fellow gladiator: “I use my sword to slice through the net along the lines. The regular thickness of the net would be a problem even with a sharpened blade. But with those areas weakened, I should easily be able to cut through them, jump up and go after you.” Despite this, readers will come to understand the often gruesome world that the characters inhabit; for example, when Marcus must participate in a crucifixion, his discomfort is palatable; as he drives a nail into the first rebel, blood squirts in his face “as the flesh [gives] way.”

A nuanced story of conflicts in the Roman Empire.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Oct. 9, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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