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FIRE ON THE FRONTIER

A nuanced story of conflicts in the Roman Empire.

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Kunkel’s work of historical fiction centers on the Roman Empire’s relationship with Germania.

Marcus Numitor is a young man in the Roman legionnaires. He’s always been told that his parents were slaughtered by Germanic barbarians, which motivates him to fight for Rome on the empire’s frontier. Early on, he’s stationed in the port city of Ostia, performing such tasks as maintaining security at gladiatorial games. Few things seem to excite the citizenry more than watching gladiators fight wild animals, or one another. A woman who participates in the games goes by the moniker Maxima, although her real name is Helena; she’s been a gladiator for four years and uses the job as a way to vent her rage over her difficult past. Her fellow gladiator women often have similarly troubled life stories. Helena and Marcus meet and quickly hit it off. Naturally, though, their occupations complicate their relationship, as does Helena’s horrible family, and the chance that Marcus could be called up for combat duty at any time. However, they understand each other deeply. Meanwhile, a centurion named Rakan is investigating a series of murders in Ostia; he comes to believe that the victims were worthy of such punishment, but he’s committed to stopping the killing nonetheless. Rakan even meets with Emperor Augustus to discuss the situation; Augustus, though, has bigger problems, as he wants to see Germania become a “well-behaved province like all the others.” His resolve will result in a bloody battle in Teutoburg Forest in which Marcus sees action.

Kunkel looks at familiar aspects of ancient Rome from some unexpected angles. For instance, professional gladiators like Helena didn’t kill one another; they’d end the lives of animals and criminals, but not fellow professionals—at least, not intentionally. After all, gladiators were an investment requiring “Extensive training, excellent medical care, [and] the finest in supplies.” The book also takes a close look at Rome’s relationship with barbarian peoples. Some cultures could be friendly and seek to “trade and to get their hands on some nice Roman products”; others were less willing to make peace. In other areas, the narrative goes after more obvious fare. The subplot of Rakan’s search for a killer isn’t the most compelling mystery; many readers will guess the solution early on. Also, the dialogue tends to be rather bland and expositional for a world that’s swarming with violence, as when Helena explains a move to a fellow gladiator: “I use my sword to slice through the net along the lines. The regular thickness of the net would be a problem even with a sharpened blade. But with those areas weakened, I should easily be able to cut through them, jump up and go after you.” Despite this, readers will come to understand the often gruesome world that the characters inhabit; for example, when Marcus must participate in a crucifixion, his discomfort is palatable; as he drives a nail into the first rebel, blood squirts in his face “as the flesh [gives] way.”

A nuanced story of conflicts in the Roman Empire.

Pub Date: N/A

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Page Count: -

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Review Posted Online: Oct. 9, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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