Next book

FREE FOR ALL

JOE PAPP, THE PUBLIC, AND THE GREATEST THEATER STORY EVER TOLD

A wonderful book that clearly and powerfully shows that Papp’s own story was the most enduring drama he ever produced.

A poignant pastiche of interviews and “soliloquies” by many principals and walk-ons tells the story of New York’s most powerful theater impresario.

Los Angeles Times film critic and NPR contributor Turan (Film Criticism/Univ. of Southern California) originally assembled the book 23 years ago with the cooperation of producer and director Joseph Papp (1921–1991), but when the temperamental showman read the result, he pulled the plug. Turan later approached Papp’s widow, who greenlighted the project. At first glance, the text is off-putting: snippets of observations, comments and memories from decades ago from a huge cast, some of whom are no longer living. But the cumulative effect is riveting. After dealing briefly with Papp’s parentage and struggling Brooklyn boyhood, the narrative follows him into the Navy, then out to Hollywood, where he participated in the Actors’ Laboratory. He moved back East to work for CBS-TV and begin his career producing and directing plays. His crowning glories, of course, were the New York Shakespeare Festival and the Public Theater. Papp comes across as a highly persuasive, indefatigable fundraiser and a terrific (if not always enduring) champion of actors and writers, especially playwright David Rabe. The rising, then falling arc of that friendship and professional association is a highlight of the narrative. As time moves on, chapters focus on specific productions. Those involved with A Chorus Line tell of its genesis and surpassing success. There is a sad story about Papp’s relationship with Sam Shepard (they fell out over True West), many inspiring ones (about The Pirates of Penzance with Linda Ronstadt and The Mystery of Edwin Drood), tales of failure (Papp’s tenure at Lincoln Center) and glorious serendipity (Two Gentlemen of Verona, That Championship Season).

A wonderful book that clearly and powerfully shows that Papp’s own story was the most enduring drama he ever produced.

Pub Date: Nov. 3, 2009

ISBN: 978-0-7679-3168-7

Page Count: 648

Publisher: Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2009

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Close Quickview