A fun, atmospheric novel set in beautiful Provence, where wine aficionados provide more atmosphere than plot.
In the idyllic French countryside, an American wine expert tries to save his view and rescue his best friend.
Kendrick Thomas, a 40-something American living in the south of France, seems to have an idyllic life. Like the author, he’s in the wine business, importing French and other European vintages to the United States. He lives in a former farmhouse with stunning views of the countryside, wide blue skies, and glimpses of the Mediterranean. He spends his time traveling to wineries to taste their wares, taking siestas, and hanging out and cooking with his friend Henri Poupon, a local winemaker. Kendrick values beauty above all, but he fears it’s losing out to greed in the form of modern conveniences, excessive development, and tourism. Worse, a series of annoying difficulties threatens to disrupt his comfortable life. First, when he pays a routine tasting visit to one of his long-standing suppliers in Alsace, they unexpectedly threaten to stop doing business with him unless he accepts impossible terms. Then an obnoxious and unpopular neighbor, who’s already cut down all his trees and built an eyesore of a house, plans to install a hideous cellphone tower on his property, ruining the view. And Poupon, who fancies himself a ladies’ man, is juggling two girlfriends. How will he manage to address these problems without hurting his friend or disrupting his carefully cultivated lifestyle? Lynch honed his craft describing wines, and this is a book where words that might seem pretentious or silly on a label—for example, “It’s ample, but not at all flabby”—come across as perfectly natural dialogue in context. His writing is vivid with a touch of snark; a man’s bristly mustache “could be used to clean his boots or scrub a burnt skillet,” a utilitarian car is “an automotive version of soviet architecture.” The detailed depictions of wine, food, and landscapes evoke deep sensory pleasure, and nonexpert readers will learn something about wine. The action, however, seems almost incidental.
A fun, atmospheric novel set in beautiful Provence, where wine aficionados provide more atmosphere than plot.Pub Date: Sept. 30, 2025
ISBN: 9798895398326
Page Count: 280
Publisher: Podium Publishing
Review Posted Online: July 9, 2025
Kirkus Reviews Issue: Sept. 1, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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