A beautifully illustrated, limerick-heavy, and mortality-free rendition of a classic fairy tale.
A picture book offers a rhyming retelling of “The Three Little Pigs.”
“Once, long ago, there lived a big pig. / The pig—a mother of three,” Brougher’s story begins. “Once they had grown,” they said “goodbye with a moan, / it was time, to set them all free.” Mother Pig, wearing lipstick but no clothes, lies on her side in a barn with three pigs nursing. In the next image, she is still nude, though bipedal, while her clothed pig sons walk down the road. Warrick’s digital watercolors in warm tones with dynamic penciled lines render this awkward shift between animal and human modes gracefully. The fairy tale trots on predictably, though with intriguing turns of phrase that evoke casual oral storytelling (“Along came a wolf—you know what he had? / Big hands, big feet—a big head!”). These slight textual innovations should sustain reader interest; the wolf thrice declares: “Then, I’ll huff and I’ll puff—I will blow at the house!” No pigs are eaten in this story. Instead, the villain faces his inability to blow down brick houses (“The wolf’s ego deflated—the pigs were elated”). Some modern items, including a TV, appear in this tale set “long ago.” But the treat here is the appealing, detailed art: sunny, Midwestern pastoral landscapes; lovingly rendered plump chickens; and salt-of-the-earth White farmers more than willing to sell a truckload of bricks to a small, cardigan-wearing pig.
A beautifully illustrated, limerick-heavy, and mortality-free rendition of a classic fairy tale.Pub Date: Sept. 10, 2020
ISBN: 978-1-73-503122-4
Page Count: 30
Publisher: Missing Piece Press, LLC
Review Posted Online: May 21, 2021
Kirkus Reviews Issue: July 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
May this endearing pair have more sneakily educational outings.
The ground is all white and cold, and Squirrel has no idea why.
Awakening to find the grass is gone, Squirrel panics and calls for Bird. Ever patient Bird explains that sometimes it snows in winter, and the grass just gets covered. Bird suggests they play in the snow, but Squirrel says it’s too cold…until Bird introduces Squirrel to snowballs. Suddenly, Squirrel loves snow. Bird also explains that snowflakes are all different shapes. Squirrel’s skeptical. “They’re all small, white blobs.” Then Squirrel yells, “BIRD! There is SMOKE coming out of my mouth! Is it because I ate a snowflake?” Bird notes that sometimes it gets so cold that you can see your breath. A frozen puddle sends Squirrel sliding into a giant snow squirrel. Squirrel’s pretty sure that snow squirrel stole some hazelnuts. Bird explains that’s impossible: “It isn’t real—it’s just a SNOW squirrel.” When the snow melts overnight, Squirrel is convinced the snow squirrel took it all—but at least the hazelnuts are still there (the builder of the snow squirrel had used them for the eyes and mouth). Hemming’s tale, which relies on speech bubbles and text in several different fonts for emphasis (and overreaction), is as funny as the first two in the series, while Slater’s digitally created, colorful illustrations add some slapstick giggles. The book finishes with a double-page spread of snow facts that address Squirrel’s concerns.
May this endearing pair have more sneakily educational outings. (Picture book. 2-7)Pub Date: Sept. 3, 2024
ISBN: 9781464226786
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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