Chen’s exploration of generational trauma is both too much and not enough.
A haunted family saga from a winner of the Taiwan Literature Award for Books.
“It’s Ghost Festival today, the Day of Deliverance. The ghosts are coming. I’ve come back, too.” This is what Keith Chen says to his lover as Keith stands in front of the house where he grew up. Or, rather, this is what Keith would say if his lover were by his side—if his lover was still alive. Keith is returning to his backward, backwater hometown after spending time in a German prison for killing that lover. He’s seeking memories, but not all of the memories he encounters are welcome ones, and he and his family are surrounded by unquiet spirits—and, although still living, are unquiet spirits themselves, haunting their own lives. Running beneath the whole narrative is the secret story of the death of Keith’s lover. The ideas that Chen (the author, not the character) is playing with are familiar to anyone who has read Gothic literature—from Wuthering Heights to Jesmyn Ward’s Sing, Unburied, Sing (2017). And there are moments when Chen creates a truly eerie atmosphere. One of the many characters who narrates this novel—himself a ghost—describes all of Yongjing awakening as his wife and the other women of the town chant during an impromptu morning ritual: “The ghosts in the public cemetery all woke up, too, as did the weeds, the tree snags, and the fallowed fields, along with the molds, the rice stalks, and the wildflowers. All the living, the dead, and the living who wished they were dead in that small town were woken rudely up.” But, despite the diversity of narrators, there isn’t much diversity of voice—a lack of interiority makes it difficult to distinguish one character from another—and most of this story is told in a flat, expository style that is, ultimately, wearying. There is something initially powerful in the way that Chen presents cruelty as commonplace, but this stylistic choice quickly reaches a point of diminishing returns. It seems likely that most readers will either become anesthetized to the brutality or simply quit reading.
Chen’s exploration of generational trauma is both too much and not enough.Pub Date: Oct. 25, 2022
ISBN: 978-1-60945-798-3
Page Count: 384
Publisher: Europa Editions
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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