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CUT AND COVER

A resounding character study just as much as it is an action novel, and both are equally triumphant.

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In Hurley’s debut thriller, a CIA assassin finds himself in the cross hairs of both the FBI and a sociopathic killer for hire.

To most people, Maj. John Rexford is a retired Marine living in New York on disability. Even John’s girlfriend, Maggie, has no idea he’s really a CIA spook recruited in Afghanistan and assigned to kill enemies on U.S. soil. A Muslim’s recent murder, however, has put John on the FBI’s radar: Feds think the killer used a bike, and John missed a bike-riding event for disabled veterans for which he’d signed up. At the same time, CIA contact Pete Chocker warns John of a highly skilled assassin called Yoda (a nickname courtesy of Chocker) who’s working for the terrorists. John survives a near-lethal encounter with Yoda, but now he has a slightly unhinged killer searching for him and possibly coming after Maggie as well. Hurley’s enthralling novel begins with a terrorist plot—which involves chlorine gas and disrupting New York’s water supply—and gradually turns into a clash between two professional killers. Suspense is kept tight, although Hurley doesn’t save all the action for the end: An early faceoff between John and Yoda isn’t only exhilarating, it’s an ample display of Yoda’s prowess, which primes later scenes in which Yoda has identified John and found out where he lives. Both the hero and villain are peculiar but intriguing characters: Yoda unashamedly dons black spandex and ballet slippers when he’s working, while John, who’s a blacksmith as a cover, uses his skills to forge knives (for use in his other job) and destroy the evidence. There’s no doubt who the bad guy is, but John isn’t necessarily a wholesome character—a lengthy scene revolves around him at work, reminding readers of what he’s paid to do.

A resounding character study just as much as it is an action novel, and both are equally triumphant.

Pub Date: Aug. 6, 2014

ISBN: 978-1494819170

Page Count: 330

Publisher: CreateSpace

Review Posted Online: Sept. 22, 2014

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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