Illustrated by the Dillons (Two Little Trains, p. 561, etc.) at their most magisterial, this original tale of the youth of Kankan Musa, the most renowned royal descendant of the great king of Mali, Sundiata, makes a grand, compelling, sumptuously presented narrative. Captured by slavers and sold to a wandering mystic, Kankan Musa spends seven years learning the ways of the desert, seeing the wonders of Egypt, and facing death in several forms as he grows in wisdom and inner strength. Returning home at last, he is welcomed with jubilance, and later begins a reign so dazzling that his fame spreads even to benighted Europe. Burns (Black Stars in Orbit, not reviewed) relates events in measured, oratorical prose. Matching his formality, the Dillons draw on Renaissance manuscript art for inspiration, placing small, richly clad, precisely detailed figures in front of land- or cityscapes seen in compressed perspective, opposite pages of text featuring illuminated initials and spaces filled out with patterned bars. The author distinguishes fact from fancy in an afterword, and closes with a booklist for readers eager to travel on. As much about Mansa Musa’s inner journey to selfhood as his outer coming of age, this is a feast for the eye and spirit both. (Illustrated fiction. 10-12)
Pub Date: Oct. 1, 2001
ISBN: 0-15-200375-4
Page Count: 56
Publisher: Gulliver/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
BOOK REVIEW
Readers won’t find this neighbor strange; he merely entertains an age-old desire to fly. But hark back a 120 years, when this story takes place, and one can begin to appreciate the skeptics who surround Melville Murrell, technically the creator of the first human-powered airplane two decades before the Wright brothers. To the narrator, it’s strange that “our neighbor” studies birds, makes drawings, and tries to be airborne. The title sentence becomes a bleating refrain, turning the book into a one-kick joke when Murrell’s contraption flies and the narrator is almost rendered speechless. Krudop’s paintings, with their great slabs of vibrant color, are atmospheric delights, conjuring up Murrell as the eccentric his neighbors believe him to be, and the era as one in which innovators were no more appreciated—at least till they struck it rich—than they are today. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30107-9
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
By 1776 the British army had taken control of two key areas, New York City and Long Island Sound. For Hannah, nine, and her family, the troops are a real threat to their community, just across the sound in Fairfield, Connecticut. Hannah’s older brother Ben wants to go join the forces under General Washington, but his father will have none of it at first; when British warships are sighted he reluctantly gives the boy his blessing. For two days the female members of the household spin, weave, and sew suitable clothing; Hannah, who has never been good at domestic duties, is afraid she won’t be able to do her part, but masters her chores. Van Leeuwen makes this story—the first in the Pioneer Daughters trilogy—compelling through the picture of daily life during the era: Everyone does everything that needed to be done, whether they wanted to or not. It’s clear that Hannah has plans beyond the household; her saving of a baby lamb, and the influence of her Granny Hannah, who was a midwife and nurse, indicate that someday she will move on, but meanwhile, there is work to be done for the family’s survival. Her story—especially the details that are usually relegated to sidebars and laundry lists in history books—will entertain and inspire anyone who is interested in the past. (b&w illustrations, not seen, map) (Fiction. 7-10)
Pub Date: April 1, 1999
ISBN: 0-8037-2335-0
Page Count: 87
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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