by Kieran Setiya ‧ RELEASE DATE: Oct. 4, 2022
Pragmatic, compassionate advice.
A lighted path for dark times.
In his previous book, Midlife, Setiya, a professor of philosophy at MIT, called upon myriad thinkers for guidance in overcoming his anguish when his life seemed “like a mere accumulation of deeds” as he strived for professional success. Now, amid an ongoing pandemic, mass unemployment, the ravages of climate change, and the revival of fascism, he again looks to philosophy, history, film, and literature for solace and illumination. Life is hard, to be sure, but thinkers and artists from Aquinas to Virginia Woolf, Emily Dickinson to P.D. James, Descartes to Sartre, help him to craft a “map with which to navigate rough terrain.” Along with devastating global issues, one’s sense of tumult and struggle can be fomented by physical disability and pain, psychic pain, loss, grief, a sense of personal failure, and injustice. Setiya was 27 when his own experience with chronic pain began suddenly with “a band of tension running through my groin.” For more than a decade, the pain defied diagnosis, and it still besets him. Pain and disability, he reflects, shape our relationship to our bodies as well as “our relation to others and their relation to us.” For Setiya, the pain’s positive result was in generating his “presumptive compassion” for other people’s experiences. Although he considers himself an “inveterate loner,” the author underscores the importance of fostering connections. From Aristotle, the “great theorist of friendship,” and others, Setiya sees that the way out of loneliness is “through the needs of other people.” Confronting a feeling of powerlessness in the face of structural injustice or systemic problems, he counsels engagement with collective action in the service of a cause. For him, the cause is climate change; at MIT, he has become involved in the Fossil Free movement. Even in hard times, writes the author, we cannot lose hope: “standing with or searching for the truth, attending to what’s possible.”
Pragmatic, compassionate advice.Pub Date: Oct. 4, 2022
ISBN: 978-0-593-53821-0
Page Count: 240
Publisher: Riverhead
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
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A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Matthew McConaughey ‧ RELEASE DATE: Sept. 16, 2025
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Matthew McConaughey illustrated by Renée Kurilla
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SEEN & HEARD
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