by Kiki Sullivan ‧ RELEASE DATE: Sept. 2, 2014
Only the most ardent fans of paranormal/romantic thrillers will be enthralled by this one and its inevitable sequels.
A variation on an increasingly familiar formula involving a Louisiana setting, voodoo or related magic, a star-crossed romance, and a protagonist conflicted about or unaware of her tremendous inherited powers.
When Eveny Cheval’s guardian, Aunt Bea, moves her from New York to her original hometown of Carrefour, Louisiana, on her 17th birthday, Eveny immediately and inexplicably finds herself involved with a circle of uber-glamorous, impossibly gorgeous, privileged teens known locally as the Dolls. She begins to slowly understand that her connection to them involves a deep family history and some strong magic. But big questions remain, such as whether her mother really committed suicide all those years ago, where her father might be and what are the true motives of a certain gorgeous boy sending very mixed signals. Oh, there is also a society bent on destroying Carrefour and its magic, a threat that never feels quite authentic, probably because readers aren’t convinced that the main characters and their dubious way of life are worth saving. There are enough mysteries to keep the pages turning, though many will see the final bit of treachery coming well before the big reveal.
Only the most ardent fans of paranormal/romantic thrillers will be enthralled by this one and its inevitable sequels. (Supernatural thriller. 12-18)Pub Date: Sept. 2, 2014
ISBN: 978-0-06-228148-7
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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