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RODICA'S RED SCARF

A strong story about how small acts can affect others in a big way.

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A scarf given as a gift offers a far greater sense of caring and connection than the giver ever imagined in Clarkson’s debut picture book.

In Florida, a knitter named Jo finishes a long red scarf. Even though she labors on it with love, she feels that it’s a humble gift. Preparing her offering, she tosses chocolate kisses in along with the scarf, wraps the box beautifully, and places a bright golden bow on top. After a month of travel, Jo’s box, along with a number of other gifts she’s collected, arrives in Romania. A young girl named Rodica receives Jo’s package. She’s excited to have something beautiful; with her family, she places the bow on a shelf of the house and carefully unwraps the present. The scarf, which Jo had found so humble, becomes an object of great significance for the family. The children wrap it around their hands when they sleep in a shared bed; they swaddle a sick baby in it as he recovers. The scarf acts as a flag, saving Rodica’s father’s life when a mine collapses, and as a banner to scare away birds from the collective fields. Finally, it becomes Rodica’s pillow, always reminding her of the love someone shared from across the world. (“To this very day, when Rodica lays her head upon the red scarf she thanks God for the someone, somewhere, who made the scarf that showed they cared.”) The story memorably demonstrates how valuable a small-seeming thing might be to the person who receives it. Young readers are likely to have questions about Rodica’s impoverished living conditions, and the book’s opening note offers some context about the communist regime of Romania in the 1980s. By using mainly black-and-white ink, with only a few colors as accents, Leander’s illustrations emphasize the importance of the shiny bow and the red scarf as bright spots in an otherwise bleak landscape. Some images are repeated with only small details changed, demarcating shifts in the story and the scarf’s importance very effectively. The tale celebrates an attitude of gratitude that children might do well to emulate.

A strong story about how small acts can affect others in a big way.

Pub Date: Dec. 29, 2023

ISBN: N/A

Page Count: 38

Publisher: WestBowPress

Review Posted Online: March 25, 2024

Kirkus Reviews Issue: May 15, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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