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LITTLE BOY BLUE

Name: LITTLE BOY BLUE
Author: Kim Kavin
ISBN: 978-0-7641-6526-9

A PUPPY'S RESCUE FROM DEATH ROW AND HIS OWNER'S JOURNEY FOR TRUTH

by Kim Kavin ‧ RELEASE DATE: Oct. 1, 2012

A moving call to action.

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Freelance journalist Kavin (The Everything Travel Guide to Italy, 2010, etc.) hunts down the story of what happened to her rescue dog Boy Blue.

In 2010, the author helped rescue Blue from certain death in an animal shelter in North Carolina. She found him online and was able to quickly provide the lucky survivor with a loving home, where he has flourished. Learning that her new companion might have been infected with ringworm and fearing “that something about his situation had been horribly, horribly wrong,” she applied her investigating skills to uncovering the trail. Her first step was contacting Lulu’s Rescue co-founder Michele Armstrong, who told her that Blue had been “headed for the gas chamber.” The trail then led her to Person County Animal Rescue volunteers in North Carolina, who introduced her to the brutal conditions that Blue faced when he got dumped into the animal shelter. There are 13,000 rescue groups listed online at Petfinder.com, all struggling to find homes for unwanted puppies. The author describes them as functioning “like a modern day version of the underground railroad,” and that's only the tip of the iceberg. Many unaffiliated volunteers are also involved in rescue efforts. The rescue groups often set standards for shelters and promote the spaying and neutering of animals put up for adoption, as well as finding loving homes, but money and volunteers are in short supply. This book chronicles one of the success stories. A portion of the proceeds will be donated to the Petfinder.com Foundation.

A moving call to action.

Pub Date: Oct. 1, 2012

ISBN: 978-0-7641-6526-9

Page Count: 256

Publisher: Barron's

Review Posted Online: March 30, 2012

Kirkus Reviews Issue: May 1, 2012

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE DOG MERCHANTS
by Kim Kavin

- BOOK REVIEW
DREAM CRUISES
by Kim Kavin

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IN THE SHADOW OF ISLAM

by Isabelle Eberhardt ‧ RELEASE DATE: Oct. 5, 1994

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A European woman who assumed the persona of a young male Tunisian student describes her remarkable journey into the Sahara in colorful and textured, albeit romanticized, vignettes. In 1897, Isabelle Eberhardt (The Oblivion Seekers, not reviewed), born and raised in Geneva, traveled with her mother to Tunis, where both converted to Islam. Eberhardt spent much of the rest of her life in Algeria; this work comes from notes she made during 1904 as they were later edited and published in France by Victor Barrucand. Despite this cleanup of the notes, some intriguing internal tensions remain: Eberhardt says her male persona (which Arabs respected, even when they saw through it) allows her to travel without attracting notice, but in a low moment she notes that she attracts disapproval. Near the Algeria-Morocco border, she muses with some pleasure that nobody knows precisely where the boundary is, yet soon (in one of the few hints at the region's volatility) she trades her Moroccan attire for Algerian to avoid annoying residents. When individuals and settings attract her eye she describes them vividly and concisely, whether she is passing a madman reciting verses from the Koran or taking tea with male students at a mosque. (Her garb ironically restricts her access to—and ability to learn about—women; interestingly, she seems not to mind.) Her observations on the play of light and color over the desert are made with an artist's eye, and her musings on travel and isolation reveal a pensive side. Yet far as she journeys, literally and metaphorically, she is still dogged by her prejudices: Jewish women cast ``provocative leers,'' and Jewish men possess ``insinuating and commercial abilities''; blacks can be ``repulsive'' and, when dancing, both ``childlike'' and ``barbarous.'' Though lacking a needed glossary for the many Arabic terms used, this slim volume makes a welcome addition to the information available on an extraordinary woman.

Pub Date: Oct. 5, 1994

ISBN: 0-7206-0889-9

Page Count: 120

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

Categories:

GENERAL NONFICTION

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NO MAN'S LAND

THE PLACE OF THE WOMAN WRITER IN THE TWENTIETH CENTURY, VOL. III: LETTERS FROM THE FRONT

by Sandra M. Gilbert & Susan Gubar ‧ RELEASE DATE: Sept. 21, 1994

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The final third of this feminist literary study maintains the quality of volumes I (The War of the Words, 1987) and II (Sexchanges, 1989) as it looks at women writers' exploration of our century's complex and ever-shifting cultural scene, particularly the thorny question of gender. Gilbert and Gubar take a generally chronological approach, beginning with the modernists. In their analysis, Virginia Woolf sketched scenarios challenging traditional sex roles, as well as the historical settings and the social hierarchies in which they functioned. Edna St. Vincent Millay and Marianne Moore were ``female female impersonators'' who exploited femininity's artificiality in an imaginative but uncertainly empowering way. The authors then move on to the Harlem Renaissance, arguing that such writers as Nora Zeale Hurston, Jessie Redmon Faucet, and Nella Larsen worked to reveal the ``authentic (black) feminine'' behind racial stereotypes and criticized (white) feminism. Intertwining the poet and her work, a chapter on HD maintains that she produced her long poems by consciously manipulating images of herself. Moving forward to WW II, Gilbert and Gubar discuss the period's ``blitz on women'': Cheesecake pinups on tanks and VD posters conflated sex and death, while even positive images of the women left behind were tinged with resentment. They contend that metaphors from the war, transformed into images of sexual battle, haunted the poems of Sylvia Plath, who fought toward a way of being a woman beyond the old patriarchal traditions. At once playful and thoughtful, the final chapter considers the multiplicity of women's stories via the authors' several rewrites of Snow White—e.g., the no-longer-evil queen challenges gender roles by advising Snow White to ``marry the Prince but sleep with me too,'' while in another version a critically savvy queen realizes they're all ``merely signifiers, signifying nothing.'' A satisfying conclusion to an ambitious project.