A small, clever novel obscured rather than enlightened by philosophy, synthesis, analysis and travelogue.
Another textbook disguised as a novel: the first of a projected trilogy from Robinson (Galileo's Dream, 2009, etc.) set in a future similar to that envisioned in his Mars trilogy from the 1990s.
By the 24th century, humanity has established settlements throughout the solar system on terraformed moons and planets and inside habitats hollowed from conveniently orbiting asteroids. Travel to the most remote destination takes mere weeks; quantum computers, qubes, are ubiquitous but have not yet reached true sentience. Former habitat designer Swan Er Hong makes her home on Mercury, where the city of Terminator crawls around the planet on rails, perpetually keeping just ahead of the rising sun. Her beloved grandmother, Alex, has just died. Two individuals, diminutive investigator Jean Genette and Wahram, a huge, froglike negotiator, wonder whether Swan's recently deceased, beloved grandmother Alex left any information about her work—Alex studied Earth which, despite mass emigration, remains a basket case of environmental degradation, climate change and vampire capitalism. Then Swan, who has a qube named Pauline inside her head and once swallowed a cocktail of alien bacteria from Enceladus, and Wahram narrowly escape when Terminator is destroyed by an undetectable shower of meteorites directed from somewhere in space. Seems Alex, who distrusted qubes and all forms of electronic communication, had good reason for her paranoia: apart from the mysterious group who destroyed Terminator, somebody is building humanoid bodies operated by qubes, for purposes none of the three can guess. Other than Robinson's usual novelistic virtues, the narrative offers a grand tour of the inhabited worlds, often to excess, plus padding with 18 future-factual "extracts" to fill in the background, 15 rather bizarre "lists" (e.g. space accidents, propulsion systems) and three passages representing the mental processes of the humanoid qubes.
A small, clever novel obscured rather than enlightened by philosophy, synthesis, analysis and travelogue.Pub Date: May 22, 2012
ISBN: 978-0-316-09812-0
Page Count: 576
Publisher: Orbit/Little, Brown
Review Posted Online: Feb. 19, 2012
Kirkus Reviews Issue: March 1, 2012
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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