High-minded, well-intentioned, and in love with what Earth’s future could be but somewhat lacking in narrative drive.
This detail-heavy near-future novel offers a window onto the apocalypse looming just behind our present dystopia.
As Uttar Pradesh suffers from a crippling heatwave and blackouts, Frank May, an American aid worker in a small city, runs out of options to help the local residents stay cool and suggests that they go into the lake, which unfortunately offers very little relief. He rouses from an uneasy night submerged in the water to discover that everyone is dead but him, a devastating outcome that leaves him with PTSD and a desire to do something, anything, to reverse climate change. But as Frank is the quintessence of the ineffectual White American savior—not equipped to save anything or anyone, even himself—he doesn’t have the first idea about how to pursue his goal. His bumbling and his anger drive him to a failed kidnap attempt on Mary Murphy, head of the titular Ministry for the Future, a U.N. agency formed in 2025 to further the aims of the Paris Agreement. Frank drifts through years as a fugitive and then as a convicted felon, Mary works tirelessly through diplomatic and bureaucratic channels to save the planet before it’s too late, and the Children of Kali, a group of eco-terrorists also inspired by the Indian heatwave tragedy, pursue more violent—and shockingly effective—methods of combating environmental destruction. These strands initially form the basis of a gripping story, but they’re diffused by Robinson’s determination to narrate a history of an alternate future timeline, one which naturally excludes our present pandemic and the latest crackdowns in Hong Kong but also apparently ignores the U.S. dropping out of the Paris Agreement and the implications of Brexit. That tale, or more often lecture, is conveyed through dry and snarky infodump essays and brief, punchy accounts from people, inanimate objects, and metaphorical forces. Perhaps the author is angry that though he's spent years writing novels exploring the dire results of climate change, the message doesn’t seem to have gotten through; it’s clear that he is unhappy at how politics and greed have obstructed opportunities for positive environmental action. At the same time, he seems hopeful that the world can still forge a path forward, if only we have the resolve.
High-minded, well-intentioned, and in love with what Earth’s future could be but somewhat lacking in narrative drive.Pub Date: Oct. 6, 2020
ISBN: 978-0-316-30013-1
Page Count: 576
Publisher: Orbit
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
SEEN & HEARD
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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